e 20th of August a strange and terrible scene was
being enacted in the basement storey of one of the lateral towers of
Castel Nuovo. Charles of Durazzo, who had never ceased to brood secretly
over his infernal plans, had been informed by the notary whom he had
charged to spy upon the conspirators, that on that particular evening
they were about to hold a decisive meeting, and therefore, wrapped in a
black cloak, he glided into the underground corridor and hid himself
behind a pillar, there to await the issue of the conference. After two
dreadful hours of suspense, every second marked out by the beating of his
heart, Charles fancied he heard the sound of a door very carefully
opened; the feeble ray of a lantern in the vault scarcely served to
dispel the darkness, but a man coming away from the wall approached him
walking like a living statue. Charles gave a slight cough, the sign
agreed upon. The man put out his light and hid away the dagger he had
drawn in case of a surprise.
"Is it you, Master Nicholas?" asked the duke in a low voice.
"It is I, my lord."
"What is it?"
"They have just fixed the prince's death for tomorrow, on his way to the
hunt."
"Did you recognise every conspirator?"
"Every one, though their faces were masked; when they gave their vote for
death, I knew them by their voices."
"Could you point out to me who they are?"
"Yes, this very minute; they are going to pass along at the end of this
corridor. And see, here is Tommaso Pace walking in front of them to
light their way."
Indeed, a tall spectral figure, black from head to foot, his face
carefully hidden under a velvet mask, walked at the end of the corridor,
lamp in hand, and stopped at the first step of a staircase which led to
the upper floors. The conspirators advanced slowly, two by two, like a
procession of ghosts, appeared for one moment in the circle of light made
by the torch, and again disappeared into shadow.
"See, there are Charles and Bertrand of Artois," said the notary; "there
are the Counts of Terlizzi and Catanzaro; the grand admiral and grand
seneschal, Godfrey of Marsan, Count of Squillace, and Robert of Cabane,
Count of Eboli; the two women talking in a low voice with the eager
gesticulations are Catherine of Tarentum, Empress of Constantinople, and
Philippa the Catanese, the queen's governess and chief lady; there is
Dona Cancha, chamberwoman and confidante of Joan; and there is the
Countess of Morcone."
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