s root; or if it does, it
soon withers and dies. Its delicate fiber can not endure the stress
and strain of the daily grind. Its soul is too complex to adjust
itself to the slimy woof of our social fabric. It weeps and moans
and suffers with those who have need of it, yet lack the capacity to
rise to love's summit.
Some day, some day men and women will rise, they will reach the
mountain peak, they will meet big and strong and free, ready to
receive, to partake, and to bask in the golden rays of love. What
fancy, what imagination, what poetic genius can foresee even
approximately the potentialities of such a force in the life of men
and women. If the world is ever to give birth to true companionship
and oneness, not marriage, but love will be the parent.
THE MODERN DRAMA: A POWERFUL DISSEMINATOR OF RADICAL THOUGHT
So long as discontent and unrest make themselves but dumbly felt
within a limited social class, the powers of reaction may often
succeed in suppressing such manifestations. But when the dumb unrest
grows into conscious expression and becomes almost universal, it
necessarily affects all phases of human thought and action, and seeks
its individual and social expression in the gradual transvaluation of
existing values.
An adequate appreciation of the tremendous spread of the modern,
conscious social unrest cannot be gained from merely propagandistic
literature. Rather must we become conversant with the larger phases
of human expression manifest in art, literature, and, above all, the
modern drama--the strongest and most far-reaching interpreter of our
deep-felt dissatisfaction.
What a tremendous factor for the awakening of conscious discontent
are the simple canvasses of a Millet! The figures of his
peasants--what terrific indictment against our social wrongs; wrongs
that condemn the Man With the Hoe to hopeless drudgery, himself
excluded from Nature's bounty.
The vision of a Meunier conceives the growing solidarity and defiance
of labor in the group of miners carrying their maimed brother to
safety. His genius thus powerfully portrays the interrelation of the
seething unrest among those slaving in the bowels of the earth, and
the spiritual revolt that seeks artistic expression.
No less important is the factor for rebellious awakening in modern
literature--Turgeniev, Dostoyevsky, Tolstoy, Andreiev, Gorki,
Whitman, Emerson, and scores of others embodying the spirit of
universal fer
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