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ast, however, something happened to put an end to his lazy way of living. One day the sound of men's voices awakened him, when he was having a good nap in the haystack. And he felt his bedroom quiver as if an earthquake had shaken it. Scrambling to his doorway and peeping slyly out, Solomon saw a sight that made him very angry. A hayrack stood alongside the stack; and on it stood Farmer Green and his hired man. Each had a pitchfork in his hands, with which he tore great forkfuls of hay off the stack and piled it upon the wagon. Solomon Owl knew then that his fine hiding place was going to be spoiled. As soon as the horses had pulled the load of hay away, with Farmer Green and the hired man riding on top of it, Solomon Owl crept out of his snug bedroom and hurried off to the woods. He was so fat that it was several days before he could squeeze inside his old home in the hollow hemlock. And for the time being he had to sit on a limb and sleep in the daylight as best he could. But to his surprise, Reddy Woodpecker troubled him no more. Reddy had drummed so hard on Solomon's door, in the effort to awake him when he wasn't there, that Aunt Polly Woodchuck told him he would ruin his bill, if he didn't look out. And since the warning thoroughly alarmed him, Reddy stopped visiting the hemlock grove. In time Solomon Owl grew to look like himself again. And people never really knew just what had happened to him. But they noticed that he always hooted angrily whenever anybody mentioned Farmer Green's name. THE END ***END OF THE PROJECT GUTENBERG EBOOK THE TALE OF SOLOMON OWL*** CREDITS May 2005 Project Gutenberg Edition Roger Frank Online Distributed Proofreading Team June 2006 Added PGHeader/PGFooter. Joshua Hutchinson A WORD FROM PROJECT GUTENBERG This file should be named 16663-0.txt or 16663-0.zip. This and all associated files of various formats will be found in: http://www.gutenberg.org/dirs/1/6/6/6/16663/ Updated editions will replace the previous one -- the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this
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