r have the blades separated into distinct portions.
CODICIL (Lat. _codicillus_, a little book or tablet, diminutive of
_codex_), a supplement to a will (q.v.), containing anything which a
testator desires to add, or which he wishes to retract, to explain or to
alter. In English law a codicil requires to be executed with the same
formalities as a will under the Wills Act 1837.
CODILLA, the name given to the broken fibres which are separated from
the flax during the scutching process. On this account it is sometimes
termed scutching tow. Quantities of this material are used along with
heckled tow in the production of tow yarns.
CODINUS, GEORGE [GEORGIOS KODINOS], the reputed author of three extant
works in Byzantine literature. Their attribution to him is merely a
matter of convenience, two of them being anonymous in the MSS. Of
Codinus himself nothing is known; it is supposed that he lived towards
the end of the 15th century. The works referred to are the following:--
1. _Patria_ ([Greek: Ta Patria tes Konstantinoupoleos]), treating of the
history, topography, and monuments of Constantinople. It is divided
into five sections: (_a_) the foundation of the city; (_b_) its
situation, limits and topography; (_c_) its statues, works of art, and
other notable sights; (_d_) its buildings; (_e_) the construction of the
church of St Sophia. It was written in the reign of Basil II.
(976-1025), revised and rearranged under Alexius I. Comnenus
(1081-1118), and perhaps copied by Codinus, whose name it bears in some
(later) MSS. The chief sources are: the _Patria_ of Hesychius Illustrius
of Miletus, an anonymous (_c._ 750) brief chronological record ([Greek:
Parastaseis syntomoi chronikai]), and an anonymous account ([Greek:
diegesis]) of St Sophia (ed. T. Preger in _Scriptores originum
Constantinopolitanarum_, fasc. i., 1901, to be followed by the _Patria_
of Codinus). Procopius, _De Aedificiis_ and the poem of Paulus
Silentiarius on the dedication of St Sophia should be read in connexion
with this subject.
2. _De Officiis_ ([Greek: Peri ton Ophphikion]), a sketch, written in an
unattractive style, of court and higher ecclesiastical dignities and of
the ceremonies proper to different occasions. It should be compared with
the _De Cerimoniis_ of Constantine Porphyrogenitus.
3. A chronological outline of events from the beginning of the world to
the taking of Constantinople by the Turks (called Agarenes in th
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