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in what Christians regard as "blasphemy." Like nine out of ten unbelievers, he very likely gave vent to pleasantries on the subject of Christian dogmas. There is nothing incredible in his having said that "Moses was but a juggler," that "the New Testament is filthily written" (Mr. Swinburne calls it "canine Greek"), or that "all Protestants are hypocritical asses." But whether he really did say that the women of Samaria were no better than they should be, that Jesus's leaning on John's bosom at the last supper was a questionable action, that Mary's honor was doubtful and Jesus an illegitimate child--cannot be decided before the Day of Judgment; though, in any case, we fail to see that such things make "the blasphemies of Voltaire pale into insignificance." We candidly admit, however, that a memorial to Marlowe would be incongruous in Westminster Abbey if Darwin were not buried there; but after admitting the high-priest of Evolution it seems paltry to shriek at the admission of other unbelievers. It will not do to blink the fact of Marlowe's Atheism, as is done by the two gentlemen who took up the cudgels on his behalf in the _Pall Mall Gazette_. Setting aside the accusation of that precious informer, there is other evidence of Marlowe's heresy. Greene reproached him for his scepticism, and every editor has remarked that his plays are heathenish in spirit. Lamb not only calls attention to the fact that "Marlowe is said to have been tainted with Atheistical positions," but remarks that "Barabas the Jew, and Faustus the Conjurer, are offsprings of a mind which at least delighted to dally with interdicted subjects. They both talk a language which a believer would have been tender of putting into the mouth of a character though but in fiction." Dyce could not "resist the conviction" that Marlowe's impiety was "confirmed and daring." His extreme Freethought is also noticed by Mr. Bullen and Mr. Havelock Ellis. There is, indeed, no room for a rational doubt on this point. Marlowe was an Atheist. But a sincere Christian, like Robert Browning, is nevertheless ready to honor Marlowe's genius; quite as ready, in fact, as Algernon Swinburne, whose impiety is no less "confirmed and daring" than Marlowe's own. There is freemasonry among poets; their opinions may differ, but they are all "sealed of the tribe." And surely we may all admire genius as a natural and priceless distinction, apart from all considerations of system and creed
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