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When a man holds the hand of the woman he loves, or feels about his neck the little arms of his child, do you suppose he is likely to injure either of them because he is unable to accept your dogma about the mystery of this illimitable universe? Shall I hate my own boy because I disbelieve that Jesus Christ was born without a father? Shall I keep him without food and clothes because I see no proof of a special providence? Will Shakespeare's _Hamlet_ poison my mind because I think it finer than the gospels? If I treat the Creation Story and the Deluge as legend and mythology, and smile at the feats of Samson, shall I therefore commit a burglary? If I think that my neighbor's life in this world is _his all_, that death ends his possibilities, do you really think I shall be the more likely to rob him of what I can never restore? I am at a loss to understand your lordship, and I invite you to explain yourself. At present I can only see in your account of George Mason, a very common exhibition of Christian logic, and Christian temper. Your lordship's is not the charity that "thinketh no evil." You ascribe wickedness to those who differ from you in opinion. I conceive it possible for men to differ from you in religion, and yet to equal you in morality. I conceive it even possible that some of them might surpass you without a miracle. A RELIGION FOR EUNUCHS. * * June, 1890. This is a strong title, and it requires a justification. We have to plead that nothing else would serve our purpose. But is our purpose a sound one? That will appear in the course of this article. Let the reader finish what we have to say before he forms a judgment. We purpose to criticise the view of Christianity recently put forth by the greatest writer in Russia. Count Leo Tolstoi enjoys an European fame. He is one of the classics of modern fiction. His work in imaginative literature, as well as his work in religion, said the late Matthew Arnold, is "more than sufficient to signalise him as one of the most marking, interesting, and sympathy-inspiring men of our time." Whatever such a man writes deserves the closest attention. Not, indeed, that this needs to be bespoken for him. He has the qualities that compel it. There is the stamp of power on all his productions. We pause at them involuntarily, as we turn to look at a physical king of men who passes us in the street. For some years Count Tolstoi discontinued his work as a novel
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