as against the historian who, "after having discredited all his
witnesses, claims to put himself in their place, and sees with their
eyes something quite different from what they themselves saw." But when
the "testimony" is insufficient to give us the scientific knowledge of a
fact, the only correct attitude is "agnosticism," that is, a confession
of ignorance; we have no right to shirk this confession because chance
has permitted the destruction of the documents which might have
contradicted the testimony.
[147] The "Memoirs of Cardinal de Retz" furnish a conclusive instance:
the anecdote of the ghosts met by Retz and Turenne. A. Feillet, who
edited Retz in the _Collection des Grands Ecrivains de la France_, has
shown (vol. i. p. 192) that this story, so vividly narrated, is false
from beginning to end.
[148] A good example of the fascination exerted by a circumstantial
narrative is the legend respecting the origin of the League of the three
primitive Swiss cantons (Gessler and the Gruetli conspirators), which was
_fabricated_ by Tschudi in the sixteenth century, became classical on
the production of Schiller's "William Tell," and has only been
extirpated with the greatest difficulty. (See Rilliet, _Origines de la
Confederation suisse_, Geneva, 1869, 8vo.)
[149] Striking example of falsehoods due to vanity are to be found in
abundance in the _Economies royales_ of Sully and the _Memoires_ of
Retz.
[150] Fustel de Coulanges himself went to the formulae of the
inscriptions in honour of the emperors for a proof that the peoples
liked the imperial _regime_. "If we read the inscriptions, the sentiment
which they exhibit is always one of satisfaction and gratitude.... See
the collection of Orelli, the most frequent expressions are...." And the
enumeration of the titles of respect given to the emperors ends with
this strange aphorism: "It would show ignorance of human nature to see
nothing but flattery in all this." There is not even flattery here;
there is nothing but formulae.
[151] Suger, in his life of Louis VI., is a model of this type.
[152] The _Chronicon Helveticum_ of Tschudi is a striking instance.
[153] Aristophanes and Demosthenes are two striking examples of the
power great writers have of paralysing critics and obscuring facts. Not
till the close of the nineteenth century has any one ventured to
recognise frankly their lack of good faith.
[154] For example, the account of the election of Otto I.
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