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. H. Blackwell, Broad Street, Oxford, England. Publications for the thirteenth year [1958-1959] (At least six items, most of them from the following list, will be reprinted.) Andre Dacier, _Preface to Aristotle's Art of Poetry_ (1705). Introduction by Samuel Holt Monk. William Herbert, Third Earl of Pembroke. _Poems_ (1660). Introduction by Gaby Onderwyzer. Francis Hutcheson, _Reflections on Laughter_ (1729). Introduction by Scott Elledge. _Eighteenth-Century Newspaper Essays on the Theatre._ Selected, with an introduction, by John Loftis. Samuel Johnson, _Notes to Shakespeare, Vol. III, Tragedies._ Edited by Arthur Sherbo. John Joyne, _A Journal_ (1679). Edited by R. E. Hughes. Richard Savage, _An Author to be Let_ (1732). Introduction by James Sutherland. _Seventeenth-Century Tales of the Supernatural._ Selected, with an introduction, by Isabel M. Westcott. THE AUGUSTAN REPRINT SOCIETY _WILLIAM ANDREWS CLARK MEMORIAL LIBRARY_ 2205 WEST ADAMS BOULEVARD, LOS ANGELES 18, CALIFORNIA Make check or money order payable to THE REGENTS OF THE UNIVERSITY OF CALIFORNIA. Transcriber's Notes: The origianl text of "Aristotle's Art of Poetry" is printed in italic font with plain font used for emphasis. For ease of reading, the transcriber has used _underscore_ to represent the plain text. In all other sections of this document, _underscore_ is used to represent italic text. Elongated "s" has been modernized. Additional spacing after some of the quotes is intentional to indicate both the end of a quotation and the beginning of a new paragraph as presented in the original text. End of the Project Gutenberg EBook of The Preface to Aristotle's Art of Poetry, by Andre Dacier *** END OF THIS PROJECT GUTENBERG EBOOK PREFACE--ARISTOTLE'S POETRY *** ***** This file should be named 29547.txt or 29547.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/9/5/4/29547/ Produced by Chris Curnow, Stephanie Eason, Joseph Cooper and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without
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