. Is, I say, and has been, hitherto; none of us dare say that it will
be. I shall have to show you hereafter that the greater part of the
technic energy of men, as yet, has indicated a kind of childhood; and
that the race becomes, if not more wise, at least more manly,[11] with
every gained century. I can fancy that all this sculpturing and painting
of ours may be looked back upon, in some distant time, as a kind of
doll-making, and that the words of Sir Isaac Newton may be smiled at no
more: only it will not be for stars that we desert our stone dolls, but
for men. When the day comes, as come it must, in which we no more deface
and defile God's image in living clay, I am not sure that we shall any
of us care so much for the images made of Him, in burnt clay.

31. But, hitherto, the energy of growth in any people may be almost
directly measured by their passion for imitative art; namely, for
sculpture, or for the drama, which is living and speaking sculpture, or,
as in Greece, for both; and in national as in actual childhood, it is
not merely the _making_, but the _making-believe_; not merely the acting
for the sake of the scene, but acting for the sake of acting, that is
delightful. And, of the two mimetic arts, the drama, being more
passionate, and involving conditions of greater excitement and luxury,
is usually in its excellence the sign of culminating strength in the
people; while fine sculpture, requiring always submission to severe law,
is an unfailing proof of their being in early and active progress.
_There is no instance of fine sculpture being produced by a nation
either torpid, weak, or in decadence._ Their drama may gain in grace and
wit; but their sculpture, in days of decline, is _always_ base.

32. If my little lady in the kitchen had been put in command of colors,
as well as of dough, and if the paste would have taken the colors, we
may be sure her mice would have been painted brown, and her cats
tortoiseshell; and this, partly indeed for the added delight and
prettiness of color itself, but more for the sake of absolute
realization to her eyes and mind. Now all the early sculpture of the
most accomplished nations has been thus colored, rudely or finely; and
therefore you see at once how necessary it is that we should keep the
term 'graphic' for imitative art generally; since no separation can at
first be made between carving and painting, with reference to the mental
powers exerted in, or addressed by,