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oser's moods; a military overture, which was one long series of tempestuously mounting climaxes, built on the theme of the Russian battle-hymn; six songs to poems of Heine, with piano accompaniment; and, finally, the third of his symphonies, declared by Balakirev too technical, as more resembling a clever experiment in orchestral possibilities, than a serious effort in the most rigid of classical forms. Unfortunately, despite these flat disprovals of the accusations made against Ivan by his oldest friends, the summer's work did little to soften the feeling between the millionaire Prince and his scoffing fellow-workmen. Their cry now was: Who was he to step in between the fame, nay, the very bread, of men obliged to live by their work? Humph! He should see! It should be made very plain to him that neither wealth nor money could avail to win him entrance into the sanctums of art!--him, the greatest, the only great, artist of them all! Ah! Bitter indeed was the fresh humiliation he encountered: knowledge that, while his music was beginning to be sought for by every orchestra in Europe, Russia would suddenly have none of him! Nicholas Rubinstein fought his losing battles somewhat daunted by the constant cries of "hypocrite" and "toad-eater." Kashkine filled foreign journals with his praises. Useless! Henceforth, for many years, the concerts at the Moscow theatre, now under the baton of Laroche, knew Gregoriev's name no more: until that day, indeed, when, with his last and supreme effort, by means of the sheer force of his genius, Ivan overrode them all, broke every barrier down, and, winning victory unconditional, became at last the boast and the glory of the Russian musical world. But it was also out of this victory that Fate got her bitterest laugh at her puppet plaything. For death and fame ran neck and neck for his goal; and the race ended with fame four lengths behind. Meantime, however, even in the midst of this first battle with his compatriots, Ivan and they were to meet one last time on neutral ground, under the white flag of truce. This was on the occasion of varnishing-day at the _salon_ of native painters--Russians and Poles; where were exhibited works by men _hors concours_, together with those of advanced students: both classes being required to pass an incorruptible committee of twelve, who spared neither veteran nor tyro. Hither, on the artists' day, came Ivan and his former circle, to enjoy the success
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