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s of the sky, "A belted giant, who, with arm uplift, Threatening the throne of Zeus, forever stands, Sublimely impious." This, obviously, is merely a poetic symbol, a beautiful artifice employed by the poets to perpetuate a legend by associating it with the imperishable hieroglyphs of the galaxy. It is not credible that men imagined that group of stars only outlined in such shape by the help of arbitrary fancy to be literally the translated hunter himself. The meaning simply was that he was immortalized through the eternal linking of his name and form with a stellar cluster which would always shine upon men. "The reverence and gratitude of a weak world for the heroes and benefactors they could not comprehend, named them divinities, whom they did star together to an idolatrous immortality which nationalized the heavens" with the shining shapes of the great and brave. These types of poetry, symbols lent to infant science, were never meant to indicate a literal translation and metamorphosis of human souls, but were honors paid to the memories of illustrious men, emblems and pledged securities of their unfading fame. With what glorious characters, with what forms of deathless beauty, defiant of decay, the sky was written over! Go out this evening beneath the old rolling dome, when the starry scroll is outspread, and you may still read the reveries of the marvelling minds of the antique world, as fresh in their magic loveliness as when the bards and seers of Olympus and the Agean first stamped them in heaven. There "the great snake binds in his bright coil half the mighty host." There is Arion with his harp and the charmed dolphin. The fair Andromeda, still chained to her eternal rock, looks mournfully towards the delivering hero whose conquering hand bears aloft the petrific visage of Medusa. Far off in the north the gigantic Bootes is seen driving towards the Centaur and the Scorpion. And yonder, smiling benignantly upon the crews of many a home bound ship, are revealed the twin brothers, joined in the embrace of an undying friendship. Thirdly, it is asserted by several Latin authors, in general terms, that the ghost goes to Hades but the soul ascends to heaven; and it has been inferred most erroneously that this statement contains the doctrine of an abode for men after death on high with the gods. Ovid expresses the real thought in full, thus: "Terra tegit carnem; tumulum circumvolat umbra; Orcus habet manes;
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