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he saints in Paradise, the intermediate state of the good after death. On the third were mere men yet living in the world. On one side of the lowest stage, in the rear, was a fearful cave or yawning mouth filled with smoke and flames, and denoting hell. From this ever and anon would issue the howls and shrieks of the damned. Amidst hideous yellings, devils would rush forth and caper about and snatch hapless souls into this pit to their doom.46 The actors, in their mock rage, sometimes leaped from the pageant into the midst of the laughing, screaming, trembling crowd. The dramatis personoe included many queer characters, such as a "Worm of Conscience," "Deadman," (representing a soul delivered from hell at the descent of Christ,) numerous "Damned Souls," dressed in flame colored garments, "Theft," "Lying," "Gluttony." But the devil himself was the favorite character; and often, when his personified vices jumped on him and pinched and cudgelled him till he roared, the mirth of the honest audience knew no bounds. For there were in the Middle Age two sides to the popular idea of the devil and of all appertaining to him. He was a soul harrowing bugbear or a rib shaking jest according to the hour and one's 45 Halliwell's edition of the Harrowing of Hell, p. 18. 46 Sharp, Essay on the Dramatic Mysteries, p. 24. humor. Rabelais's Pantagruel is filled with irresistible burlesques of the doctrine of purgatory. The ludicrous side of this subject may be seen by reading Tarlton's "Jests" and his "Newes out of Purgatorie." 47 Glimpses of it are also to be caught through many of the humorous passages in Shakspeare. Dromio says of an excessively fat and greasy kitchen wench, "If she lives till doomsday she'll burn a week longer than the whole world!" And Falstaff, cracking a kindred joke on Bardolph's carbuncled nose, avows his opinion that it will serve as a flaming beacon to light lost souls the way to purgatory! Again, seeing a flea on the same flaming proboscis, the doughty knight affirmed it was "a black soul burning in hell fire." In this element of mediaval life, this feature of mediaval literature, a terrible belief lay under the gay raillery. Here is betrayed, on a wide scale, that natural reaction of the faculties from excessive oppression to sportive wit, from deep repugnance to superficial jesting, which has often been pointed out by philosophical observers as a striking fact in the psychological history of man.
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