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ght become, what nature never meant him to be--an artist. All along, when he has made any excuse, it has been 'art.' But, more likely, he has not been asked for excuse, he has lived under the shelter of the 'genius' superstition. He has worn the air of making great sacrifices for the goddess, and in these his intimates have felt a proud sense of awful participation, as of a family whom the gods love. They have never understood that art is a particular form of self-indulgence, by no means confined to artists; that it often becomes no less a vice than opium-eating, and that the same question has to be asked of both--whether the dreams are worth the cost. This might occasionally be asked of the world's famous: not only of those whose art has been the evilly exquisite outcome of spiritual disease, but even of the great sane successful reputations. There is, too, especially about the latter, perhaps, a touch of comic suggestiveness in the sublime preoccupation to which we owe their great legacies, that look of Atlas which is always pathetic, when it is not foolish, on the face of a mortal: the grand air of a Goethe, the colossal absorption of a Balzac. Their attitude offends one's sense of the relation of things, and we feel that, after all, we could have spared half their works for a larger share of that delicate instinct for proportion, which is one of the most precious attributes of what we call a gentleman. But the demi-god has always much of the _nouveau riche_ about him, and a gentleman is, after all, an exquisite product. Indeed, the world has, one may think, quite enough genius to go on with. It could well do with a few more gentlemen. A BORROWED SOVEREIGN (TO MR. AND MRS. WELCH) Jim lent me a sovereign. He was working hard to make his home, and was saving every penny. However, I took it, for I was really in sore straits. If you have ever known what it is absolutely to need a sovereign, when you have neither banking account nor employment, and your evening clothes are no longer accessible for the last, you will be in a position to understand the transfiguring properties of one small piece of gold. You leave your friend's rooms a different man. Like the virtuous in the Buddhistic round, you go in a beggar and come out a prince. To vary Carlyle's phrase, you can pay for dinners, you can call hansoms, you can take stalls; in fact, you are a prince--to the extent of a sovereign. And oh! how wooingly doe
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