FREE BOOKS

Author's List




PREV.   NEXT  
|<   261   262   263   264   265   266   267   268   269   270   271   272   273   274   275   276   277   278   279   280   281   282   283   284   285  
286   287   288   289   290   291   292   293   294   295   296   297   298   299   300   301   302   303   304   305   306   307   308   309   310   >>   >|  
ay he kills "28 hares, 8 pheasants, 4 partridges--total, 40 head, all from my own gun." Visit him at home and e is the prince of hospitality. His dinners are of the best, and he is never happier than when presiding at them. Like an Englishman, he was proud of the illustrious society his success enabled him to summon around him, and, like an Englishman too, he had greater pride still in dwelling upon the humbleness of his origin, and in recounting the history of his difficult journey from struggling obscurity to worldwide renown. Now, what we contend for is--without presuming ourselves to attempt anything like a worthy portraiture of Francis Chantrey--that here, ready-made to the hand of any man competent to the task of illustrating a life full of instruction for the rising brotherhood of art, is a subject which it behooved the Royal institution that has so largely profited by Chantrey's liberality and fame, not to neglect, much less throw away. The book which we have taken for the foundation of this notice, written by a Royal Academician, is a disgrace to the Royal Academy. Is then, we ask, no single member of that gifted body competent to say a word or two in plain English for the departed sculptor, that such a melancholy exhibition of helplessness must needs be sent forth as a tribute from excellence to excellence? The life of Chantrey properly written could not but prove of the utmost value to Englishmen, and simply because it is the career of a man attaining the highest distinction by means thoroughly understood by his countrymen, and by the exercise of an intellect at all times under the salutary influence of a wholesale national bias. Jones on Chantrey is Jenkins on Milton; the poet of Moses and Son upon the _Inferno_ of Dante--the ridiculous limping after the sublime. The great aim of Mr. George Jones, R.A., in his present undertaking, seems to have been to exhibit his own vast erudition and his great command of the hard words of his native tongue. Indeed, he quotes so much Greek and Latin, and talks so finely, that it is only to be regretted that he does not now and then come down from his stilts in order to gratify himself with a little intelligible English and his readers with some homely grammar. It will be our painful duty to submit to the reader's notice a specimen or two of Mr. Jones' peculiar style, which, together with the profound simplicity of his original remarks, make up as curious a production as
PREV.   NEXT  
|<   261   262   263   264   265   266   267   268   269   270   271   272   273   274   275   276   277   278   279   280   281   282   283   284   285  
286   287   288   289   290   291   292   293   294   295   296   297   298   299   300   301   302   303   304   305   306   307   308   309   310   >>   >|  



Top keywords:

Chantrey

 

excellence

 

notice

 

competent

 

English

 
written
 

Englishman

 

Jenkins

 

Milton

 
salutary

influence

 

wholesale

 
national
 

George

 

sublime

 

Inferno

 

ridiculous

 

limping

 

intellect

 
utmost

properly

 

pheasants

 

tribute

 

Englishmen

 

simply

 

understood

 

countrymen

 
exercise
 

present

 

distinction


career

 

attaining

 

highest

 

painful

 
submit
 

grammar

 

intelligible

 

readers

 
homely
 
reader

specimen

 

remarks

 

curious

 

production

 

original

 

simplicity

 

peculiar

 
profound
 

native

 

tongue