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at would have attracted Poe in _The Half Hangit_. _The Boeotian_ for 1824 contained _A Tale of Mystery_, and the _Literary Souvenir_ for 1825 _The Fortress of Saguntum_, a story in the style of Lewis. Ainsworth's first novel, _Rookwood_ (1834), was inspired by a visit to Cuckfield Place, an old manor house which had reminded Shelley of "bits of Mrs. Radcliffe": "Wishing to describe somewhat minutely the trim gardens, the picturesque domains, the rook-haunted groves, the gloomy chambers and gloomier galleries of an ancient hall with which I was acquainted, I resolved to attempt a story in the bygone style of Mrs. Radcliffe, substituting an old English squire, an old manorial residence and an old English highwayman for the Italian marchise, the castle and the brigand of that great mistress of romance... The attempt has succeeded beyond my most sanguine expectation. Romance, if I am not mistaken, is destined shortly to undergo an important change. Modified by the German and French writers--Hoffmann, Tieck, Victor Hugo, Alexander Dumas, Balzac and Paul Lacroix--the structure commenced in our land by Horace Walpole, 'Monk' Lewis, Mrs. Radcliffe and Maturin, but, left imperfect and inharmonious, requires, now that the rubbish which choked up its approach is removed, only the hand of the skilful architect to its entire renovation and perfection." In _Rookwood_, Ainsworth disdains Mrs. Radcliffe's reasonable elucidations of the supernatural, and introduces spectres whose existence it would be impossible to deny. Once, however, a supposed ghost becomes substantial, and proves to be none other than a human being called Jack Palmer. The sexton, Luke Bradley, _alias_ Alan Rookwood, has inherited two of the Wanderer's traits--the fear-impelling eyes of intolerable lustre, and the habit of indulging in wild, screaming laughter on the most inauspicious occasions. Gothic properties are scattered with indiscriminate extravagance--skeleton hands, suddenly extinguished candles, sliding panels, sepulchral vaults. The plot of _Rookwood_ is too complicated and too overcrowded with incident to keep our attention. The terrors are so unremitting that they fail to strike home. The only part of the book which holds us enthralled is the famous description of Dick Turpin's ride to York. Here we forget Ainsworth's slip-shod style in the exciteme
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