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t their way up, and no one can down them. They can be depended upon absolutely as what are called 'good providers.' In short, by the written confession of her heart, woman's idea of a 'dear,' after several centuries more or less of civilisation, remains precisely the primitive conception that it was in the days when man wooed her by grabbing her by the hair and handing her one with a club." The Colonel was breathing heavily with the exertion of animated speech as he added: "In real life a man of any stability of judgment would be decidedly suspicious of the hero of a modern woman's novel if one should walk into his office, or, doubtless, he would observe this whimsical caricature with something of the amusement he would find in the ludicrously false comic Irishman of the vaudeville stage. This irreverent flight of fancy on our part, however, is yanking the strong man from his appropriate and supporting setting, where paste is given the glow of an authentic stone; in the sympathetic pages created by feminine intuition he dominates the machine. When the heroine takes into her own hands the right of the individual to a second chance for happiness," the Colonel declaimed with a demoniac grin, "she turns to experience with such a one perfect love, as the honoured wife of a splendid and prosperous man and the mother of beautiful children. "The ethics of that engrossing theme of divorce," the Colonel went on, lighting another corpulent and very black cigar, "as decided by the Supreme Court of our contemporary women novelists suggests that justly celebrated principle of perfect equity: 'What's yours is mine and what's mine is my own.' Listen," he demanded; "listen (as the author of 'The Gentle Art of Making Enemies' was wont to introduce his lectures) to the story of the unfolding of a woman's heart through marriage, as it is unfolded in the recent book of a novelist whom both the million-headed crowd and shoals of reviewers, of very uneven critical equipment, place 'well forward among America's novelists.' A penniless young woman brought up amid the standards of very common people marries for money, and comes to face the collapse of her dreams. She realises that she is tied to a man for whom she cares nothing. Also he is a brute, a typical bad egg of a husband from the extensive though rather monotonous stock of this article dealt in by our women novelists. Is it right for this young woman to throw away the chances o
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