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ove his arms to right his machine. Down he dropped, mercifully losing consciousness as his machine shot toward the earth, and crashing, at last, so fiercely into the ground that naught remained of his hunter and its gallant pilot but a twisted mass of wreckage and a still form maimed out of all recognition. Parker had paid the great price, after a gallant fight. The other three hunters carried their pilots safely home, able to report that Joe and Jimmy had each accounted for one of the four Albatrosses that had last attacked them. Three days later their squadron was moved back, and its place taken by a fresh unit. Jimmy Hill was sent to hospital with his slit cheek, but was soon out and about again. Less than a fortnight later all five of the boys, Joe, Bob, Jimmy, Harry, and Dicky, were on leave in London. The night after their arrival on the English side of the Channel, Archie Fox, now a convalescent, invited them to dinner at the Royal Overseas Officers Club, where the six Brighton boys foregathered merrily. Dinner over, Joe proposed a toast of "the folks at home." The boys drank it silently. Then Bob Haines rose and raised his glass. "Let us drink to the luck of the Brighton lot," he said. "May it never entirely desert us." As they rose and raised their glasses Dicky Mann added: "May we always be ready to give that luck a fighting chance." Six strong right hands reached forth to grasp another of the six. Six pairs of bright eyes flashed as each caught an answering flash somewhere round the circle. Six hearts beat with the same stout determination as Joe Little voiced their united sentiments when he said in a low tone, "Amen to that. We will." THE END End of the Project Gutenberg EBook of The Brighton Boys with the Flying Corps by James R. Driscoll *** END OF THIS PROJECT GUTENBERG EBOOK WITH THE FLYING CORPS *** ***** This file should be named 12938.txt or 12938.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.net/1/2/9/3/12938/ Produced by Jim Ludwig Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in t
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