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er's arms, was baptized at his mother's funeral; and we looked on, and wondered what it all meant, and what became of children whose mother was obliged to go to heaven when she seemed so necessary in Andover. At eight years of age a child cannot be expected to know her mother intimately, and it is hard for me always to distinguish between the effect produced upon me by her literary success as I have since understood it, and that left by her own truly extraordinary personality upon the annals of the nursery. [Illustration: PROFESSOR PHELPS'S HOUSE AT ANDOVER, MASSACHUSETTS, THE HOUSE IN WHICH ELIZABETH STUART PHELPS WAS REARED.] My mother, whose name I am proud to wear, was the eldest daughter of Professor Stuart, and inherited his intellectuality. At the time of her death she was at the first blossom of her very positive and widely-promising success as a writer of the simple home stories which took such a hold upon the popular heart. Her "Sunnyside" had already reached a circulation of one hundred thousand copies, and she was following it fast--too fast--by other books for which the critics and the publishers clamored. Her last book and her last baby came together, and killed her. She lived one of those rich and piteous lives such as only gifted women know; torn by the civil war of the dual nature which can be given to women only. It was as natural for her daughter to write as to breathe; but it was impossible for her daughter to forget that a woman of intellectual power could be the most successful of mothers. [Illustration: PROFESSOR AUSTIN PHELPS, FATHER OF ELIZABETH STUART PHELPS. From an early photograph.] "Everybody's mother is a remarkable woman," my father used to say when he read overdrawn memoirs indited by devout children; and yet I have sometimes felt as if even the generation that knows her not would feel a certain degree of interest in the tact and power by which this unusual woman achieved the difficult reconciliation between genius and domestic life. In our times and to our women such a problem is practical, indeed. One need not possess genius to understand it now. A career is enough. The author of "Sunnyside," "The Angel on the Right Shoulder," and "Peep at Number Five," lived before women had careers and public sympathy in them. Her nature was drawn against the grain of her times and of her circumstances; and where our feet find easy walking, hers were hedged. A child's memories go f
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