FREE BOOKS

Author's List




PREV.   NEXT  
|<   15   16   17   18   19   20   21   22   23   24   25   26   27   28   29   30   31   32   33   34   35   36   37   38   39  
40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64   >>   >|  
annot glimpse with the utmost effort. He may disclaim all credit for his performance, in the words of a nineteenth-century verse-writer: This is the end of the book Written by God. I am the earth he took, I am the rod, The iron and wood which he struck With his sounding rod. [Footnote: L. E. Mitchell, _Written at the End of a Book._] a statement that provokes wonder as to God's sensations at having such amateurish works come out under his name. But this sort of humility is really a protean manifestation of egotism, as is clear in the religious states that bear resemblance to the poet's. This the Methodist "experience meeting" abundantly illustrates, where endless loquacity is considered justifiable, because the glory of one's experience is due, not to one's self, but to the Almighty. The minor American poets in the middle of the last century are often found exhorting one another to humility, quite after the prayer-meeting tradition. Bitter is their denunciation of the poet's arrogance: A man that's proud--vile groveller in the dust, Dependent on the mercy of his God For every breath. [Footnote: B. Saunders, _To Chatterton._] Again they declare that the poet should be Self-reading, not self-loving, they are twain, [Footnote: Henry Timrod, _A Vision of Poesy._] telling him, Think not of thine own self, [Footnote: Richard Gilder, _To the Poet._] adding, Always, O bard, humility is power. [Footnote: Henry Timrod, _Poet If on a Lasting Fame._] One is reminded of Mrs. Heep's repeated adjuration, "Be 'umble, Ury," and the likeness is not lessened when we find them ingratiatingly sidling themselves into public favor. We hear them timidly inquiring of their inspiration, Shall not the violet bloom? [Footnote: Mrs. Evans, _Apologetic._] and pleading with their critics, Lightly, kindly deal, My buds were culled amid bright dews In morn of earliest youth. [Footnote: Lydia M. Reno, _Preface to Early Buds._] At times they resort to the mixed metaphor to express their innocuous unimportance, declaring, A feeble hand essays To swell the tide of song, [Footnote: C. H. Faimer, _Invocation._] and send out their ideas with fond insistence upon their diminutiveness: Go, little book, and with thy little thoughts, Win in each heart and memory a home. [Footnote: C. Augustus Price, _Dedication._] But among writers whose names are recognizable without an
PREV.   NEXT  
|<   15   16   17   18   19   20   21   22   23   24   25   26   27   28   29   30   31   32   33   34   35   36   37   38   39  
40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64   >>   >|  



Top keywords:

Footnote

 

humility

 

experience

 

century

 

meeting

 
Timrod
 

Written

 

kindly

 

inspiration

 

inquiring


public
 

Lightly

 

critics

 

pleading

 

violet

 

timidly

 

Apologetic

 
lessened
 

Gilder

 

reminded


Richard

 

Lasting

 

Always

 

adding

 

repeated

 

ingratiatingly

 
sidling
 
likeness
 

adjuration

 
Preface

insistence

 

diminutiveness

 

thoughts

 
Faimer
 

Invocation

 

writers

 

recognizable

 

Dedication

 
memory
 

Augustus


earliest

 

culled

 

bright

 

declaring

 

unimportance

 

feeble

 
essays
 
innocuous
 

express

 

resort