point,
beneath which bulged out the balloon of her double skirts, gave a woman,
that year, the appearance of being composed of different sections badly
fitted together; to such an extent did the frills, the flounces, the
inner bodice follow, in complete independence, controlled only by the
fancy of their designer or the rigidity of their material, the line
which led them to the knots of ribbon, falls of lace, fringes of
vertically hanging jet, or carried them along the bust, but nowhere
attached themselves to the living creature, who, according as the
architecture of their fripperies drew them towards or away from her
own, found herself either strait-laced to suffocation or else completely
buried.

But, after Odette had left him, Swann would think with a smile of her
telling him how the time would drag until he allowed her to come again;
he remembered the anxious, timid way in which she had once begged him
that it might not be very long, and the way in which she had looked at
him then, fixing upon him her fearful and imploring gaze, which gave her
a touching air beneath the bunches of artificial pansies fastened in
the front of her round bonnet of white straw, tied with strings of black
velvet. "And won't you," she had ventured, "come just once and take tea
with me?" He had pleaded pressure of work, an essay--which, in reality,
he had abandoned years ago--on Vermeer of Delft. "I know that I am quite
useless," she had replied, "a little wild thing like me beside a learned
great man like you. I should be like the frog in the fable! And yet I
should so much like to learn, to know things, to be initiated. What fun
it would be to become a regular bookworm, to bury my nose in a lot of
old papers!" she had gone on, with that self-satisfied air which a smart
woman adopts when she insists that her one desire is to give herself
up, without fear of soiling her fingers, to some unclean task, such as
cooking the dinner, with her "hands right in the dish itself." "You will
only laugh at me, but this painter who stops you from seeing me," she
meant Vermeer, "I have never even heard of him; is he alive still? Can I
see any of his things in Paris, so as to have some idea of what is going
on behind that great brow which works so hard, that head which I feel
sure is always puzzling away about things; just to be able to say
'There, that's what he's thinking about!' What a dream it would be to be
able to help you with your work."

He had