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of life had made him the slave of every passion that happened to be excited by the presence of its object, and that slavery to his passions reciprocally produced a life irregular and dissipated. He was not master of his own motions, nor could promise anything for the next day. With regard to his economy, nothing can be added to the relation of his life. He appeared to think himself born to be supported by others, and dispensed from all necessity of providing for himself; he therefore never prosecuted any scheme of advantage, nor endeavoured even to secure the profits which his writings might have afforded him. His temper was, in consequence of the dominion of his passions, uncertain and capricious; he was easily engaged, and easily disgusted; but he is accused of retaining his hatred more tenaciously than his benevolence. He was compassionate both by nature and principle, and always ready to perform offices of humanity; but when he was provoked (and very small offences were sufficient to provoke him), he would prosecute his revenge with the utmost acrimony till his passion had subsided. His friendship was therefore of little value; for though he was zealous in the support or vindication of those whom he loved, yet it was always dangerous to trust him, because he considered himself as discharged by the first quarrel from all ties of honour and gratitude; and would betray those secrets which in the warmth of confidence had been imparted to him. This practice drew upon him an universal accusation of ingratitude; nor can it be denied that he was very ready to set himself free from the load of an obligation; for he could not bear to conceive himself in a state of dependence, his pride being equally powerful with his other passions, and appearing in the form of insolence at one time, and of vanity at another. Vanity, the most innocent species of pride, was most frequently predominant: he could not easily leave off, when he had once begun to mention himself or his works; nor ever read his verses without stealing his eyes from the page, to discover in the faces of his audience how they were affected with any favourite passage. A kinder name than that of vanity ought to be given to the delicacy with which he was always careful to separate his own merit from every other man's, and to reject that praise to which he had no claim. He did not forget, in mentioning his performances, to mark every line that had been suggested or a
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