The Project Gutenberg EBook of Lives of the Poets: Addison, Savage, and
Swift, by Samuel Johnson
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
Title: Lives of the Poets: Addison, Savage, and Swift
Author: Samuel Johnson
Commentator: Henry Morley
Release Date: November, 2003 [EBook #4679]
Posting Date: January 8, 2010
Language: English
Character set encoding: ASCII
*** START OF THIS PROJECT GUTENBERG EBOOK LIVES OF THE POETS ***
Produced by Les Bowler
LIVES OF THE POETS: ADDISON, SAVAGE, and SWIFT
By Samuel Johnson
Contents.
Introduction by Henry Morley.
Joseph Addison.
Richard Savage.
Jonathan Swift.
INTRODUCTION.
Johnson's "Lives of the Poets" were written to serve as Introductions to
a trade edition of the works of poets whom the booksellers selected for
republication. Sometimes, therefore, they dealt briefly with men in whom
the public at large has long ceased to be interested. Richard Savage
would be of this number if Johnson's account of his life had not secured
for him lasting remembrance. Johnson's Life of Savage in this volume has
not less interest than the Lives of Addison and Swift, between which it
is set, although Savage himself has no right at all to be remembered in
such company. Johnson published this piece of biography when his age was
thirty-five; his other lives of poets appeared when that age was about
doubled. He was very poor when the Life of Savage was written for Cave.
Soon after its publication, we are told, Mr. Harte dined with Cave, and
incidentally praised it. Meeting him again soon afterwards Cave said to
Mr. Harte, "You made a man very happy t'other day." "How could that
be?" asked Harte. "Nobody was there but ourselves." Cave answered by
reminding him that a plate of victuals was sent behind a screen, which
was to Johnson, dressed so shabbily that he did not choose to appear.
Johnson, struggling, found Savage struggling, and was drawn to him by
faith in the tale he told. We have seen in our own time how even an
Arthur Orton could find sensible and good people to believe the tale
with which he sought to enforce claim upon the Tichborne baronetcy.
Savage had literary skill, and he could personate the ma
|