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Those numerous women who always know themselves to be right Thus does Love avenge himself on the unsatisfactory Past To be both generally blamed, and generally liked To let people speak was a maxim of Mrs. Mel's, and a wise one Took care to be late, so that all eyes beheld her Touching a nerve Toyed with little flowers of palest memory Tradesman, and he never was known to have sent in a bill Tried to be honest, and was as much so as his disease permitted True enjoyment of the princely disposition Two people love, there is no such thing as owing between them Unfeminine of any woman to speak continuously anywhere Virtuously zealous in an instant on behalf of the lovely dame Vulgarity in others evoked vulgarity in her Waited serenely for the certain disasters to enthrone her We deprive all renegades of their spiritual titles What a stock of axioms young people have handy What will be thought of me? not a small matter to any of us What he did, she took among other inevitable matters What's an eccentric? a child grown grey! When testy old gentlemen could commit slaughter with ecstasy When you run away, you don't live to fight another day When Love is hurt, it is self-love that requires the opiate Whose bounty was worse to him than his abuse Why, he'll snap your head off for a word With good wine to wash it down, one can swallow anything With a proud humility Wrapped in the comfort of his cowardice You do want polish You talk your mother with a vengeance You accuse or you exonerate--Nobody can be half guilty You rides when you can, and you walks when you must You're the puppet of your women! Youth is not alarmed by the sound of big sums End of Project Gutenberg's Evan Harrington, Complete, by George Meredith *** END OF THIS PROJECT GUTENBERG EBOOK EVAN HARRINGTON, COMPLETE *** ***** This file should be named 4434.txt or 4434.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.net/4/4/3/4434/ Produced by David Widger Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the Uni
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