country--we're forced.
MORE. We are not forced.
SHELDER. My dear More, what is civilization but the logical,
inevitable swallowing up of the lower by the higher types of man?
And what else will it be here?
MORE. We shall not agree there, Shelder; and we might argue it all
day. But the point is, not whether you or I are right--the point is:
What is a man who holds a faith with all his heart to do? Please
tell me.
[There is a silence.]
BANNING. [Simply] I was just thinkin' of those poor fellows in the
Pass.
MORE. I can see them, as well as you, Banning. But, imagine! Up in
our own country--the Black Valley--twelve hundred foreign devils dead
and dying--the crows busy over them--in our own country, our own
valley--ours--ours--violated. Would you care about "the poor
fellows" in that Pass?--Invading, stealing dogs! Kill them--kill
them! You would, and I would, too!
The passion of those words touches and grips as no arguments
could; and they are silent.
MORE. Well! What's the difference out there? I'm not so inhuman as
not to want to see this disaster in the Pass wiped out. But once
that's done, in spite of my affection for you; my ambitions, and
they're not few; [Very low] in spite of my own wife's feeling, I
must be free to raise my voice against this war.
BANNING. [Speaking slowly, consulting the others, as it were, with
his eyes] Mr. More, there's no man I respect more than yourself. I
can't tell what they'll say down there when we go back; but I, for
one, don't feel it in me to take a hand in pressing you farther
against your faith.
SHELDER. We don't deny that--that you have a case of sorts.
WACE. No--surely.
SHELDER. A--man should be free, I suppose, to hold his own opinions.
MORE. Thank you, Shelder.
BANNING. Well! well! We must take you as you are; but it's a rare
pity; there'll be a lot of trouble----
His eyes light on Honk who is leaning forward with hand raised
to his ear, listening. Very faint, from far in the distance,
there is heard a skirling sound. All become conscious of it,
all listen.
HOME. [Suddenly] Bagpipes!
The figure of OLIVE flies past the window, out on the terrace.
KATHERINE turns, as if to follow her.
SHELDER. Highlanders!
[He rises. KATHERINE goes quickly out on to the terrace. One
by one they all follow to the window. One by one go out on to
the terrace,
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