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t Timson. WELLWYN. Um! [They look at TIMSON. Then ANN goes back to the door, and WELLWYN follows her.] ANN. [Turning.] I'm going round now, Daddy, to ask Professor Calway what we're to do with that Ferrand. WELLWYN. Oh! One each! I wonder if they'll like it. ANN. They'll have to lump it. [She goes out into the house.] WELLWYN. [Back at his easel.] You can shut your mouth now. [MRS. MEGAN shuts her mouth, but opens it immediately to smile.] WELLWYN. [Spasmodically.] Ah! Now that's what I want. [He dabs furiously at the canvas. Then standing back, runs his hands through his hair and turns a painter's glance towards the skylight.] Dash! Light's gone! Off you get, child--don't tempt me! [MRS. MEGAN descends. Passing towards the door of the model's room she stops, and stealthily looks at the picture.] TIMSON. Ah! Would yer! WELLWYN. [Wheeling round.] Want to have a look? Well--come on! [He takes her by the arm, and they stand before the canvas. After a stolid moment, she giggles.] WELLWYN. Oh! You think so? MRS. MEGAN. [Who has lost her hoarseness.] It's not like my picture that I had on the pier. WELLWYN. No-it wouldn't be. MRS. MEGAN. [Timidly.] If I had an 'at on, I'd look better. WELLWYN. With feathers? MRS. MEGAN. Yes. WELLWYN. Well, you can't! I don't like hats, and I don't like feathers. [MRS. MEGAN timidly tugs his sleeve. TIMSON, screened as he thinks by the picture, has drawn from his bulky pocket a bottle and is taking a stealthy swig.] WELLWYN. [To MRS. MEGAN, affecting not to notice.] How much do I owe you? MRS. MEGAN. [A little surprised.] You paid me for to-day-all 'cept a penny. WELLWYN. Well! Here it is. [He gives her a coin.] Go and get your feet on! MRS. MEGAN. You've give me 'arf a crown. WELLWYN. Cut away now! [MRS. MEGAN, smiling at the coin, goes towards the model's room. She looks back at WELLWYN, as if to draw his eyes to her, but he is gazing at the picture; then, catching old TIMSON'S sour glance, she grimaces at him, kicking up her feet with a little squeal. But when WELLWYN turns to the sound, she is demurely passing through the doorway.] TIMSON. [In his voice of dubious sobriety.] I've finished these yer brushes, sir. It's not a man's work. I've been thinkin' if you'd keep an 'orse, I could give yer
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