standing.

RUTH. [Leaping to her feet] No, no! No, no! He's dead!

[The figures of the men shrink back]

COKESON. [Stealing forward. In a hoarse voice] There, there, poor
dear woman!

At the sound behind her RUTH faces round at him.

COKESON. No one'll touch him now! Never again! He's safe with
gentle Jesus!

RUTH stands as though turned to stone in the doorway staring at
COKESON, who, bending humbly before her, holds out his hand as
one would to a lost dog.

The curtain falls.

GALSWORTHY PLAYS--SERIES 3

Contents:
The Fugitive
The Pigeon
The Mob

THE FUGITIVE

A Play in Four Acts

PERSONS OF THE PLAY

GEORGE DEDMOND, a civilian
CLARE, his wife
GENERAL SIR CHARLES DEDMOND, K.C.B., his father.
LADY DEDMOND, his mother
REGINALD HUNTINGDON, Clare's brother
EDWARD FULLARTON, her friend
DOROTHY FULLARTON, her friend
PAYNTER, a manservant
BURNEY, a maid
TWISDEN, a solicitor
HAYWOOD, a tobacconist
MALISE, a writer
MRS. MILER, his caretaker
THE PORTER at his lodgings
A BOY messenger
ARNAUD, a waiter at "The Gascony"
MR. VARLEY, manager of "The Gascony"
TWO LADIES WITH LARGE HATS, A LADY AND GENTLEMAN, A LANGUID LORD,
HIS COMPANION, A YOUNG MAN, A BLOND GENTLEMAN, A DARK GENTLEMAN.

ACT I. George Dedmond's Flat. Evening.

ACT II. The rooms of Malise. Morning.

ACT III. SCENE I. The rooms of Malice. Late afternoon.

SCENE II. The rooms of Malise. Early Afternoon.

ACT IV. A small supper room at "The Gascony."

Between Acts I and II three nights elapse.

Between Acts II and Act III, Scene I, three months.

Between Act III, Scene I, and Act III, Scene II, three months.

Between Act III, Scene II, and Act IV, six months.

"With a hey-ho chivy
Hark forrard, hark forrard, tantivy!"

ACT I

The SCENE is the pretty drawing-room of a flat. There are two
doors, one open into the hall, the other shut and curtained.
Through a large bay window, the curtains of which are not yet
drawn, the towers of Westminster can be seen darkening in a
summer sunset; a grand piano stands across one corner. The
man-servant PAYNTER, clean-shaven and discreet, is arranging two
tables for Bridge.

BURNEY, the maid, a girl with one of those flowery Botticellian
faces only met with in England, comes in through th