FREE BOOKS

Author's List




PREV.   NEXT  
|<   157   158   159   160   161   162   163   164   165   166   167   168   169   170   171   172   173   174   175   176   177   178   179   180   181  
182   183   184   185   186   187   188   189   190   191   192   193   194   195   196   197   198   199   200   201   202   203   204   205   206   >>   >|  
ody will be pleased. BILL. At what? FREDA. When you marry her. BILL. This is too bad. FREDA. It's what always happens--even when it's not a--gentleman. BILL. That's enough. FREDA. But I'm not like that girl down in the village. You needn't be afraid I'll say anything when--it comes. That's what I had to tell you. BILL. What! FREDA. I can keep a secret. BILL. Do you mean this? [She bows her head.] BILL. Good God! FREDA. Father brought me up not to whine. Like the puppies when they hold them up by their tails. [With a sudden break in her voice] Oh! Bill! BILL. [With his head down, seizing her hands] Freda! [He breaks away from her towards the fire] Good God! She stands looking at him, then quietly slips away by the door under the staircase. BILL turns to speak to her, and sees that she has gone. He walks up to the fireplace, and grips the mantelpiece. BILL. By Jove! This is----! The curtain falls. ACT II The scene is LADY CHESHIRE's morning room, at ten o'clock on the following day. It is a pretty room, with white panelled walls; and chrysanthemums and carmine lilies in bowls. A large bow window overlooks the park under a sou'-westerly sky. A piano stands open; a fire is burning; and the morning's correspondence is scattered on a writing-table. Doors opposite each other lead to the maid's workroom, and to a corridor. LADY CHESHIRE is standing in the middle of the room, looking at an opera cloak, which FREDA is holding out. LADY CHESHIRE. Well, Freda, suppose you just give it up! FREDA. I don't like to be beaten. LADY CHESHIRE. You're not to worry over your work. And by the way, I promised your father to make you eat more. [FREDA smiles.] LADY CHESHIRE. It's all very well to smile. You want bracing up. Now don't be naughty. I shall give you a tonic. And I think you had better put that cloak away. FREDA. I'd rather have one more try, my lady. LADY CHESHIRE. [Sitting doom at her writing-table] Very well. FREDA goes out into her workroom, as JACKSON comes in from the corridor. JACKSON. Excuse me, my lady. There's a young woman from the village, says you wanted to see her. LADY CHESHIRE. Rose Taylor? Ask her to come in. Oh! and Jackson the car for the meet please at half-past ten.
PREV.   NEXT  
|<   157   158   159   160   161   162   163   164   165   166   167   168   169   170   171   172   173   174   175   176   177   178   179   180   181  
182   183   184   185   186   187   188   189   190   191   192   193   194   195   196   197   198   199   200   201   202   203   204   205   206   >>   >|  



Top keywords:

CHESHIRE

 

stands

 

workroom

 

morning

 
writing
 
village
 

corridor

 

JACKSON

 

scattered

 

westerly


burning

 
correspondence
 

standing

 

middle

 
holding
 

opposite

 
suppose
 
beaten
 
naughty
 

wanted


Excuse

 

Taylor

 
Jackson
 

Sitting

 

bracing

 
smiles
 

promised

 

father

 
Father
 
brought

secret
 

puppies

 
sudden
 
pleased
 

gentleman

 

afraid

 

seizing

 

pretty

 
panelled
 

window


overlooks

 
lilies
 

chrysanthemums

 

carmine

 

curtain

 

quietly

 

staircase

 

breaks

 

fireplace

 

mantelpiece