FREE BOOKS

Author's List




PREV.   NEXT  
|<   599   600   601   602   603   604   605   606   607   608   609   610   611   612   613   614   615   616   617   618   619   620   621   622   623  
624   625   626   627   628   629   630   631   632   633   634   635   636   637   638   639   640   641   642   643   644   645   646   647   648   >>   >|  
E. So you want to come back? ANNIE. Oh! yes, Miss. ATHENE. All right. GUY. But what about catching it? ANNIE. Oh, sir, 'e said there was nothing like Epsom salts. GUY. He's a wag, your young man. ANNIE. He was in the Army, sir. GUY. You said he was respectable. ANNIE. Oh! yes, sir; but not so respectable as that. ATHENE. Well, Annie, get your things off, and lay lunch. ANNIE. Oh! yes, Miss. She makes a little curtsey and passes through into the kitchen. GUY. Strength of mind! Have a little, Athene won't you? [He holds out the marriage licence before her]. ATHENE. I don't know--I don't know! If--it turned out-- GUY. It won't. Come on. Must take chances in this life. ATHENE. [Looking up into his face] Guy, promise me--solemnly that you'll never let me stand in your way, or stand in mine! GUY. Right! That's a bargain. [They embrace.] ATHENE quivers towards him. They embrace fervently as ANNIE enters with the bread pan. They spring apart. ANNIE. Oh! GUY. It's all right, Annie. There's only one more day's infection before you. We're to be married to-morrow morning. ANNIE. Oh! yes, sir. Won't Mr Builder be pleased? GUY. H'm! That's not exactly our reason. ANNIE. [Right] Oh! no, sir. Of course you can't be a family without, can you? GUY. What have you got in that thing? ANNIE is moving across with the bread pan. She halts at the bedroom door. ANNIE. Oh! please, ma'am, I was to give you a message--very important-- from Miss Maud Builder "Lookout! Father is coming!" She goes out. The CURTAIN falls. ACT II BUILDER'S study. At the table, MAUD has just put a sheet of paper into a typewriter. She sits facing the audience, with her hands stretched over the keys. MAUD. [To herself] I must get that expression. Her face assumes a furtive, listening look. Then she gets up, whisks to the mirror over the fireplace, scrutinises the expression in it, and going back to the table, sits down again with hands outstretched above the keys, and an accentuation of the expression. The door up Left is opened, and TOPPING appears. He looks at MAUD, who just turns her eyes. TOPPING. Lunch has been ready some time, Miss Maud. MAUD. I don't want any lunch. Did you give it? TOPPING. Miss Athene was out. I gave the message to a young party. Sh
PREV.   NEXT  
|<   599   600   601   602   603   604   605   606   607   608   609   610   611   612   613   614   615   616   617   618   619   620   621   622   623  
624   625   626   627   628   629   630   631   632   633   634   635   636   637   638   639   640   641   642   643   644   645   646   647   648   >>   >|  



Top keywords:
ATHENE
 

TOPPING

 

expression

 

Athene

 

message

 

embrace

 
Builder
 

respectable

 

audience

 

stretched


facing
 

typewriter

 

bedroom

 
important
 
catching
 
CURTAIN
 

coming

 
Lookout
 

Father

 

BUILDER


appears

 

accentuation

 

opened

 

furtive

 

listening

 
assumes
 

outstretched

 
scrutinises
 

whisks

 

mirror


fireplace

 

promise

 

solemnly

 

Looking

 
quivers
 

bargain

 
chances
 

curtsey

 

marriage

 

passes


Strength

 

licence

 

turned

 
things
 

reason

 
pleased
 
kitchen
 

family

 
morning
 
spring