for which I did not
feel any liking, and which I should therefore have learned but
imperfectly. How could I, at my age, renounce the prerogative, so
pleasant to my vanity, of being reputed a fine talker? and I had secured
that reputation wherever I was known. Then I would often think that
Zelmi, the eighth wonder of creation in the eyes of her father might not
appear such in my eyes, and it would have been enough to make me
miserable, for Yusuf was likely to live twenty years longer, and I felt
that gratitude, as well as respect, would never have permitted me to give
that excellent man any cause for unhappiness by ceasing to shew myself a
devoted and faithful husband to his daughter. Such were my thoughts, and,
as Yusuf could not guess them, it was useless to make a confidant of him.

A few days afterwards, I dined with the Pacha Osman and met my Effendi
Ismail. He was very friendly to me, and I reciprocated his attentions,
though I paid no attention to the reproaches he addressed to me for not
having come to breakfast with him for such a long time. I could not
refuse to dine at his house with Bonneval, and he treated me to a very
pleasing sight; Neapolitan slaves, men and women, performed a pantomime
and some Calabrian dances. M. de Bonneval happened to mention the dance
called forlana, and Ismail expressing a great wish to know it, I told him
that I could give him that pleasure if I had a Venetian woman to dance
with and a fiddler who knew the time. I took a violin, and played the
forlana, but, even if the partner had been found, I could not play and
dance at the same time.

Ismail whispered a few words to one of his eunuchs, who went out of the
room and returned soon with some message that he delivered to him. The
effendi told me that he had found the partner I wanted, and I answered
that the musician could be had easily, if he would send a note to the
Venetian Embassy, which was done at once. The Bailo Dona sent one of his
men who played the violin well enough for dancing purposes. As soon as
the musician was ready, a door was thrown open, and a fine looking woman
came in, her face covered with a black velvet mask, such as we call
moretta in Venice. The appearance of that beautiful masked woman
surprised and delighted every one of the guests, for it was impossible to
imagine a more interesting object, not only on account of the beauty of
that part of the face which the mask left exposed, but also for the
elegance