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nd I hope you'll have none the worse luck." In the open yard before the Rainbow the party of guests were already assembled, though it was still nearly an hour before the appointed feast time. But by this means they could not only enjoy the slow advent of their pleasure; they had also ample leisure to talk of Silas Marner's strange history, and arrive by due degrees at the conclusion that he had brought a blessing on himself by acting like a father to a lone motherless child. Even the farrier did not negative this sentiment: on the contrary, he took it up as peculiarly his own, and invited any hardy person present to contradict him. But he met with no contradiction; and all differences among the company were merged in a general agreement with Mr. Snell's sentiment, that when a man had deserved his good luck, it was the part of his neighbours to wish him joy. As the bridal group approached, a hearty cheer was raised in the Rainbow yard; and Ben Winthrop, whose jokes had retained their acceptable flavour, found it agreeable to turn in there and receive congratulations; not requiring the proposed interval of quiet at the Stone-pits before joining the company. Eppie had a larger garden than she had ever expected there now; and in other ways there had been alterations at the expense of Mr. Cass, the landlord, to suit Silas's larger family. For he and Eppie had declared that they would rather stay at the Stone-pits than go to any new home. The garden was fenced with stones on two sides, but in front there was an open fence, through which the flowers shone with answering gladness, as the four united people came within sight of them. "O father," said Eppie, "what a pretty home ours is! I think nobody could be happier than we are." End of the Project Gutenberg EBook of Silas Marner, by George Eliot *** END OF THIS PROJECT GUTENBERG EBOOK SILAS MARNER *** ***** This file should be named 550.txt or 550.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/5/5/550/ Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the Gener
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