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ck over her shoulder every few steps. Her hair was down, and she was trying to fasten it up. Mick nudged Fly and Patsy not to speak, and gave Aunt Charlotte time to pass the cottage before he said: "Here she comes, Sammy." Sammy jumped up, and out on to the road, waving his bucket over his head, and roaring: "Ye-ye-ye-ye ould butcher, E-e-e-e-english butcher, I'll-'ll-'ll-'ll bite ye." There was a half-stifled scream as Aunt Charlotte turned for a second, and the next moment she was out of sight. Sammy danced on the road, and yelled after her till he was hoarse, then he came back to where the children were crouched down behind the wall. "S-s-s-she was aff like the wind, af-af-af-fore I could touch her," he said, "b-b-but I'll kill her th-th-the next time." They shook hands with him, and told him he was a brave man. Then they went down to the sea, and bathed, and stayed out till it was tea-time. Jane and Honeybird met them at the door when they got home. "She's away back to England," they chanted. The others could hardly believe their ears. "She came back all mud and dirt," said Jane, "with her hair a-hingin' in her eyes, an' said we were all haythens an' savages, an' she wouldn't stay another day in this blackguardy country." Lull questioned them while they were having supper. "An' what an' iver did ye do to send yer Aunt Charlotte home like thon?" she said. "'Deed, we just tuk her to see Jane Dyer," said Patsy. Lull looked at him for a minute. "There's a hape a' wisdom in a chile," she said at last. THE RIVERSIDE PRESS LIMITED, EDINBURGH. [Transcriber's note: the HTML version of this ebook contains page scans of the publisher's catalogue.] End of Project Gutenberg's The Weans at Rowallan, by Kathleen Fitzpatrick *** END OF THIS PROJECT GUTENBERG EBOOK THE WEANS AT ROWALLAN *** ***** This file should be named 31362.txt or 31362.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/3/1/3/6/31362/ Produced by Al Haines Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of
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