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The Project Gutenberg EBook of Andre, by William Dunlap This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Andre Author: William Dunlap Editor: Montrose J. Moses Release Date: June 26, 2009 [EBook #29229] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK ANDRE *** Produced by David Starner, Brownfox and the Online Distributed Proofreading Team at http://www.pgdp.net TRANSCRIBERS' NOTES This e-book contains the text of _Andre_, extracted from Representative Plays by American Dramatists: Vol 1, 1765-1819. Comments and background to all the plays and the other plays are available at Project Gutenberg. Spelling as in the original has been preserved. ANDRE _By_ WILLIAM DUNLAP [Illustration: WILLIAM DUNLAP] WILLIAM DUNLAP: FATHER OF THE AMERICAN THEATRE (1766-1839) The life of William Dunlap is full of colour and variety. Upon his shoulders very largely rests the responsibility for whatever knowledge we have of the atmosphere of the early theatre in America, and of the personalities of the players. For, as a boy, his father being a Loyalist, there is no doubt that young William used to frequent the play-house of the Red Coats, and we would like to believe actually saw some of the performances with which Major Andre was connected. He was born at Perth Amboy, then the seat of government for the Province of New Jersey, on February 19, 1766 (where he died September 28, 1839), and, therefore, as an historian of the theatre, he was able to glean his information from first hand sources. Yet, his monumental work on the "History of the American Theatre" was written in late years, when memory was beginning to be overclouded, and, in recent times, it has been shown that Dunlap was not always careful in his dates or in his statements. George Seilhamer, whose three volumes, dealing with the American Theatre before the year 1800, are invaluable, is particularly acrimonious in his strictures against Dunlap. Nevertheless, he has to confess his indebtedness to the Father of the American Theatre. Dunlap was many-sided in his tastes and activities. There is small reason to doubt that from his earliest years the theatre prov
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