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long sapped, is at least one obvious interpretation of the present universal ferment of men's minds as to the imperfections of present social arrangements. Not only are the toilers of the world engaged in something like a world-wide insurrection, but true and humane men and women, of every degree, are in a mood of exasperation, verging on absolute revolt, against social conditions that reduce life to a brutal struggle for existence, mock every dictate of ethics and religion, and render wellnigh futile the efforts of philanthropy. As an iceberg, floating southward from the frozen North, is gradually undermined by warmer seas, and, become at last unstable, churns the sea to yeast for miles around by the mighty rockings that portend its overturn, so the barbaric industrial and social system, which has come down to us from savage antiquity, undermined by the modern humane spirit, riddled by the criticism of economic science, is shaking the world with convulsions that presage its collapse. All thoughtful men agree that the present aspect of society is portentous of great changes. The only question is, whether they will be for the better or the worse. Those who believe in man's essential nobleness lean to the former view, those who believe in his essential baseness to the latter. For my part, I hold to the former opinion. _Looking Backward_ was written in the belief that the Golden Age lies before us and not behind us, and is not far away. Our children will surely see it, and we, too, who are already men and women, if we deserve it by our faith and by our works. EDWARD BELLAMY End of the Project Gutenberg EBook of Looking Backward, by Edward Bellamy *** END OF THIS PROJECT GUTENBERG EBOOK LOOKING BACKWARD *** ***** This file should be named 25439.txt or 25439.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/5/4/3/25439/ Produced by Jana Srna, David T. Jones, Alexander Bauer & the Online Distributed Proofreading Team at http://www.pgdpcanada.net. (This file was produced from images generously made available by The Internet Archive.) Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the Unite
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