mmerce. He dreamed of silks and poplins,
luscious in texture and of unforeseen exquisiteness: he dreamed of
carriages of the "County" arrested before his windows, of exquisite
women ruffling charmed, entranced to his counter. And charming,
entrancing, he served them his lovely fabrics, which only he and they
could sufficiently appreciate. His fame spread, until Alexandra,
Princess of Wales, and Elizabeth, Empress of Austria, the two
best-dressed women in Europe, floated down from heaven to the shop in
Woodhouse, and sallied forth to show what could be done by purchasing
from James Houghton.
We cannot say why James Houghton failed to become the Liberty or the
Snelgrove of his day. Perhaps he had too much imagination. Be that as
it may, in those early days when he brought his wife to her new home,
his window on the Manchester side was a foam and a may-blossom of
muslins and prints, his window on the London side was an autumn evening
of silks and rich fabrics. What wife could fail to be dazzled! But she,
poor darling, from her stone hall in stony Derbyshire, was a little bit
repulsed by the man's dancing in front of his stock, like David before
the ark.
The home to which he brought her was a monument. In the great bedroom
over the shop he had his furniture _built_: built of solid mahogany: oh
too, too solid. No doubt he hopped or skipped himself with satisfaction
into the monstrous matrimonial bed: it could only be mounted by means
of a stool and chair. But the poor, secluded little woman, older than
he, must have climbed up with a heavy heart, to lie and face the gloomy
Bastille of mahogany, the great cupboard opposite, or to turn wearily
sideways to the great cheval mirror, which performed a perpetual and
hideous bow before her grace. Such furniture! It could never be removed
from the room.
The little child was born in the second year. And then James Houghton
decamped to a small, half-furnished bedroom at the other end of the
house, where he slept on a rough board and played the anchorite for the
rest of his days. His wife was left alone with her baby and the
built-in furniture. She developed heart disease, as a result of nervous
repressions.
But like a butterfly James fluttered over his fabrics. He was a tyrant
to his shop-girls. No French marquis in a Dickens' novel could have
been more elegant and _raffine_ and heartless. The girls detested him.
And yet, his curious refinement and enthusiasm bore them away. T
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