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achine very much resembling in appearance the tube, with a mouth-piece at one end and an ear-piece at the other, frequently used by deaf persons, but very different in its construction and action. In the ordinary instrument the words spoken into the mouth-piece are carried through the tube to the ear, and are then heard exactly as they are spoken. When I used my instrument the person spoke into the mouth-piece exactly as if it were an ordinary tube, but the result was very different, for the great feature of my invention was that, no matter what language was spoken by the person at the mouth-piece, be it Greek, Choctaw, or Chinese, the words came to the ear in perfect English. "This translation was accomplished by means of certain delicate machinery contained in the end of the mouth-piece, which was longer and larger than that of the ordinary ear-tube, but the outward appearance of which did not indicate that it held anything extraordinary. It would take too long to explain this mechanism to you, and you would not be interested; nor is it necessary to my story. "When, after countless experiments and disappointments, and days and nights of hard study and hard work, I finished my little machine, which I called a translatophone, I was naturally anxious to see how it would work with some other person than myself at the mouth-piece. In the course of its construction I had frequently tried the machine by putting the ear-piece into my ear and speaking into the mouth-piece such scraps of foreign languages as I was able to command. These experiments were generally satisfactory, but I could not be satisfied that the machine was a success until some one else should speak into it in some foreign tongue of which I knew positively nothing, so that it would be impossible for me to translate it unconsciously. "This was not an easy thing, and I had determined I would not explain my invention to the public until I had assured myself that it worked perfectly, and until I had had my property in the invention secured to me by patent right. To go to a foreigner and ask him to speak into my instrument, using a language he could readily assure himself I did not speak or understand, would be the same thing as an avowal of what the translatophone was intended to do. I thought of several plans, but none suited me. I did not want to pretend to be deaf, and, even if I did so, I could not explain why I wished to be spoken to in a language I did
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