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ashions. I should be sorry to see you finified up so. Then, there was a beautiful baby's cradle, lined with soft, white satin, with a rich lace curtain, fit for Queen Victoria's baby, or your mother's; and a tiny little robe and cap lying near it, delicate as a lily leaf. Then there was a tall wax lady dressed in deep black, (black eyes too) to show off the mourning goods; and between you and me, I think she _mourned_ quite as much as a great many persons who put on black. Then there was a pyramid of perfumery--done up in bottles--enough to sweeten the handkerchiefs and dispositions of all the young ladies in New-York. Then there were silver and gold tea-sets, and dishes and trays, and knives and forks, for rich ladies who like to be tied to a bunch of keys, and sleep with one eye open. Then there were beautiful pictures, which many a poor artist had toiled and sighed over, and which I should like to give him a good bag of money for, and then hang them up in my parlor. Pictures are such pleasant, quiet company. Then there were a great many machines, and instruments, and engines, of much importance, which grown up people would be interested in, but which I will not describe to you. Well, these pretty things I have told you about were not all on the lower floor of the Palace. No; part of them were in the galleries. You could sit there and look down below upon the great statue of General Washington on horseback; upon Daniel Webster; and then, upon the Lilliputians that were walking around looking at them; then, you could shut your eyes and listen to the music, and fancy you were in some enchanted region, for it was quite like a fairy tale, the whole of it. KIZZY KRINGLE'S STORY. I am an old maid. Perhaps I might have been married. Perhaps not. I don't know as that is anybody's business. I have a little room I call my own. There's a bedstead in it covered with a patched quilt, made of as many colors as "Joseph's coat," and an old-fashioned bureau with great claw feet, and a chair whose cushion is stuffed with cotton batting; a wash-stand, a table, and a looking-glass over it. At the side of the looking-glass is a picture of Daniel Webster, which I look at oftener than in the looking-glass--for I am an ugly old maid, and Daniel was one of a thousand. Old maids like to have a good time, as well as other folks; so, I don't shut myself up moping in my little salt-box of a room. When the four walls
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