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other from their back yards and see them leaning over the fences to visit--and giving each other clumps of pansies, and golden glow and hollyhocks. I want to see Mrs. Jerry Dustin's smile and ask her when I can see Uncle Tony's 'portraiture' at the Art Institute. I want to see the boys' bare feet kicking up the dust and their hands hitching up their overall straps and hear them whistling to each other and giving their high signs. I'm longing to know who's had their house repainted and where the new houses are going up. "But--oh--most of all, I want to hear Green Valley folks say with their eyes and hands and voice--'Hello, Nanny Ainslee, when did _you_ get back' and 'My, Nanny, it's good to see and have you home again.' So, John Roger Churchill Knight, take me down to see my home town--Green Valley at springtime." They went down through Green Valley streets where the spring sunshine lay warm and golden. They greeted Green Valley men and women and were greeted as only Green Valley knows how to greet those it loves. Though they said not a word, all Green Valley read their secret in their eyes, heard it in the rich deep note of the boy's voice, in Nanny's lilting laugh. And having made the rounds the boy and girl naturally came to Grandma Wentworth's gate. They walked through the gay front garden, followed the little gravel path around the house, and found Grandma standing among her fragrant herbs and healing grasses. They came to her hand in hand and said not a word. And Grandma raised her head and looked at them. Then her eyes filled and her lips quivered tenderly and the two, both motherless, knew that they had a mother's blessing. It was so restful, that back yard of Grandma's, as the three sat there, talking quietly and happily. And the world seemed strangely full of a golden peace. ***END OF THE PROJECT GUTENBERG EBOOK GREEN VALLEY*** ******* This file should be named 18801.txt or 18801.zip ******* This and all associated files of various formats will be found in: http://www.gutenberg.org/dirs/1/8/8/0/18801 Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the
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