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ND THE EIGHTEENTH CENTURY . . . 165 XIV TURNER . . . . . . . . . . . . . . . . . 176 XV THE NINETEENTH CENTURY . . . . . . . . . 188 INDEX . . . . . . . . . . . . . . . . . . . . 199 LIST OF ILLUSTRATIONS IN THE COLOURS OF THE ORIGINAL PAINTINGS Red Ridinghood . . . . . . . . . . _G. F. Watts_ _Frontispiece_ Richard II. before the Virgin PAGE and Child . . . . . . . . . . . . . . . . . . . . . . 33 The Three Maries . . . . . . . . . _H. Van Eyck_ . . . . . 48 St. Jerome in his study . . . . . _Antonello da Messina_ 65 The Nativity . . . . . . . . . . . _Sandro Botticelli_ . . 76 The Knight's Dream . . . . . . . . _Raphael_ . . . . . . . 85 The Golden Age . . . . . . . . . . _Giorgione_ . . . . . . 96 St. George destroying the Dragon . _Tintoret_ . . . . . . 102 Edward, Prince of Wales, afterwards Edward VI. . . . . _Holbein_ . . . . . . . 111 A Man in Armour . . . . . . . . . _Rembrandt_ . . . . . . 126 An Interior . . . . . . . . . . . _P. de Hoogh_ . . . . . 134 Landscape with Cattle . . . . . . _Cuyp_ . . . . . . . . 141 William II. of Orange . . . . . . _Van Dyck_ . . . . . . 146 Don Balthazar Carlos . . . . . . . _Velasquez_ . . . . . . 161 The Duke of Gloucester . . . . . . _Sir J. Reynolds_ . . . 170 The Fighting Temeraire . . . . . . _Turner_ . . . . . . . 177 THE CHILDREN'S BOOK OF ART CHAPTER I INTRODUCTORY Almost the pleasantest thing in the world is to be told a splendid story by a really nice person. There is not the least occasion for the story to be true; indeed I think the untrue stories are the best--those in which we meet delightful beasts and things that talk twenty times better than most human beings ever do, and where extraordinary events happen in the kind of places that are not at all like our world of every day. It is so fine to be taken into a country where it is always summer, and the birds are always singing and the flowers always blowing, and where people get what they want by just wishing for it, and are not told that this or that isn't good for them, and that they'll know better than to want it when they're grown up, and all that kind of thing which is so annoying and so often happening in this obstinate criss-cross world, where the days come and go in such an ordinary fashion. But if I might choose the person to tell me the kind of story I like to liste
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