tand old pictures, we must
begin by understanding the fancies of the artists who painted them,
and of the people they were painted for. You see how much study that
means for any one who wants to understand all the art of all the world.

We shall not pretend to lead you on any such great quest as that, but
ask you to look at just a few old pictures that have been found charming
by a great many people of several generations, and to try and see
whether they do not charm you as well. You must never, of course,
pretend to like what you don't like--that is too silly. We can't all
like the same things. Still there are certain pictures that most nice
people like. A few of these we have selected to be reproduced in this
book for you to look at. And to help you realize who painted them and
the kind of people they were painted for, my daughter has written the
chapters that follow. I hope you will find them entertaining, and still
more that you will like the pictures, and so learn to enjoy the many
others that have come down to us from the past, and are among the world's
most precious possessions to-day.

CHAPTER II

THE THIRTEENTH CENTURY IN EUROPE

Before we give our whole attention to the first picture, of which the
original was painted in England in 1377, let us imagine ourselves in
the year 1200 making a rapid tour through the chief countries of Europe
to see for ourselves how the people lived. The first thing that will
strike us on our journey is the contrast between the grandeur of the
churches and public buildings and the insignificance of most of the
houses. Some of the finest churches in England, built in the style
of architecture called 'Norman,' one or more of which you may have
seen, date before the year 1200, as for example, Durham Cathedral,
and the naves of Norwich, Ely, and Peterborough Cathedrals. The great
churches abroad were also beautiful and more elaborately decorated,
in the North with sculpture and painting, in the South with marble
and mosaic. The towns competed one with another in erecting them finer
and larger, and in decorating them as magnificently as they could.
This was done because the church was a place which the people used
for many other purposes besides Sunday services. In the twelfth,
thirteenth, and fourteenth centuries, the parish church, on week-days
as well as on Sundays, was a very useful and agreeable place to most
of the parishioners. The 'holy' days, or saints' days, 'holida