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ch we saw is undoubtedly the "Fountain" geyser, named by Dr. Hayden in 1871.] [Footnote AD: In the course of a recent correspondence with Mr. Stickney, I asked him if he recalled this incident. Under date of May 20, 1905, he wrote me from Sarasota, Florida: "The maple sugar incident had almost faded from my memory, but like a spark of fire smouldering under rubbish it needed but a breath to make it live, and I recall my reflections, after my astonishment, that you did so many quaint things, that it was quite in accordance with them that you should produce maple sugar in a sulphurous region." N.P. LANGFORD.] [Footnote AE: This stream was afterwards named "Gibbon river."] APPENDIX. It is much to be regretted that our expedition was not accompanied by an expert photographer; but at the time of our departure from Helena, no one skilled in the art could be found with whom the hazards of the journey did not outweigh any seeming advantage or compensation which the undertaking promised. The accompanying sketches of the two falls of the Yellowstone, and of the cones of the Grand and Castle geysers, were made by Walter Trumbull and Private Moore. They are the very first ever made of these objects. Through an inadvertence in the preparation of the electroyped plates for the printer, they did not appear in their proper places in this diary. Major Hiram M. Chittenden, in his volume "The Yellowstone Park," says of the two sketches made by Private Moore: "His quaint sketches of the falls forcibly remind one of the original picture of Niagara, made by Father Hennepin, in 1697." End of the Project Gutenberg EBook of The Discovery of Yellowstone Park by Nathaniel Pitt Langford *** END OF THIS PROJECT GUTENBERG EBOOK THE DISCOVERY OF YELLOWSTONE PARK *** ***** This file should be named 11145.txt or 11145.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.net/1/1/1/4/11145/ Produced by Juliet Sutherland, Keren Vergon, Garrett Alley, David Widger and the Online Distributed Proofreading Team Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set f
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