FREE BOOKS

Author's List




PREV.   NEXT  
|<   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120   121   122   123   124   125   126   127   128   129  
130   131   132   133   134   135   136   137   138   139   140   141   142   143   144   145   146   147   148   149   150   151   152   153   154   >>   >|  
left his studio. But he was not contented to do this in the manner and with the tools which had been used by so many generations of sculptors before him. That decided bent of his genius to mechanical invention which has been mentioned at the beginning of this paper led him to perceive that an improvement might be made in this respect. For giving the last finish to the marble, for removing from the surface a quantity so small that no chisel could be trusted to do the work, it is obvious enough to suggest the use of a file. And no doubt files are used for the purpose, but they are liable to a special and very troublesome source of inefficiency. They become clogged with the excessively fine dust of the marble in a very few minutes to such an extent as to be rendered useless, especially as the file must be of an exceedingly fine description. Powers therefore set his mind to the problem of inventing some means or some instrument by which this source of trouble could be avoided; and after considerable vexation, not so much in perfecting his own conception of the thing needed as in getting careless and not very competent workmen to execute his orders, he perfected a file of the necessary fineness upon the principle of a nutmeg-grater. His studio was at all times full of little ingenious contrivances of all sorts--contrivances for readily and conveniently modifying the light in the exact degree desirable; contrivances for the due collocation and distribution of artificial light; contrivances for the more ready moving of marbles, etc. etc. It is the fashion in Florence and in Rome for artists to open their studios to all visitors. It is a custom which adds much to the amusement of visitors who are really lovers of art; but it must bring with it, one would think, consequences which must sometimes be not a little trying to the painter's or sculptor's temper and patience. Criticism from those who have some little pretension to the right to criticise is not always pleasant when volunteered, but criticism from such Philistines of the Philistines as often haunt the studios must be hard indeed to bear with common courtesy. Powers invariably received such with the most perfect suavity and good-temper, but I have sometimes seen him, to my great amusement, inflict a punishment on the talkers of nonsense which made them wish they had held their tongues. This consisted simply of defending his own practice by entering on a lecture upon the
PREV.   NEXT  
|<   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120   121   122   123   124   125   126   127   128   129  
130   131   132   133   134   135   136   137   138   139   140   141   142   143   144   145   146   147   148   149   150   151   152   153   154   >>   >|  



Top keywords:

contrivances

 

studios

 

marble

 

amusement

 

temper

 

source

 

visitors

 

Powers

 
Philistines
 

studio


modifying
 

conveniently

 

lovers

 
readily
 

desirable

 
marbles
 
moving
 

artists

 

Florence

 

artificial


fashion

 

degree

 
custom
 

distribution

 
collocation
 

inflict

 

punishment

 

talkers

 
perfect
 

suavity


nonsense

 

defending

 

practice

 

entering

 

lecture

 

simply

 

consisted

 

tongues

 
received
 
invariably

pretension

 

criticise

 

Criticism

 

patience

 

consequences

 

painter

 

sculptor

 

pleasant

 

common

 

courtesy