d Miss Carpenter remained at Carlisle until
her destiny was settled. The lady had a considerable private income,
amounting to about L500 a year; the difficulties presented by the
prudence and prejudices of family connections were soon overcome; and
the marriage took place in St. Mary's, Carlisle, on December 24, 1797.
Scott took his bride to a lodging in George Street, Edinburgh, the house
which he had taken not being quite ready, and the first fortnight
convinced her husband's family that she had the sterling qualities of a
wife.
Their house in South Castle Street, soon after exchanged for one in
North Castle Street, which he inhabited down to 1826, became the centre
of a highly agreeable circle; the evenings passed in a round of innocent
gaiety; and they and their friends were passionately fond of the
theatre. Perhaps nowhere else could have been formed a society on so
small a scale as that of Edinburgh at this time, including more of
vigorous intellect, varied information, elegant tastes, and real virtue,
affection and mutual confidence.
In the summer of 1798, Scott hired a cottage at Lasswade, on the Esk,
about six miles from Edinburgh, having a garden with a most beautiful
view. In this retreat they spent several happy summers, receiving the
visits of their chosen friends from the neighbouring city, and wandering
amidst some of the most romantic scenery of Scotland.
_Early Poems_
In February, 1799, a London Bookseller named Bell, brought out Scott's
version of Goethe's tragedy, "Goetz von Berlichingen of the Iron Hand,"
having purchased the copyright for twenty-five guineas. This was the
first publication that bore Scott's name. In March of that year he took
his wife to London, and met with some literary and fashionable society;
but his chief object was to examine the antiquities of the Tower and
Westminster, and to make researches among the manuscripts of the British
Museum. He found his "Goetz" favourably spoken of by the critics, but it
had not attracted general attention.
About this time Scott wrote a play entitled "House of Aspen" which,
having been read and commended by the celebrated actress, Mrs. Esten,
was put in rehearsal by Kemble for the stage. But the notion was
abandoned; and discovering the play thirty years after among his papers,
Scott sent it to the "Keepsake" of 1829.
His return to Scotland was hastened by the news of his father's death,
and his mother and sister spent the follow
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