he English language of our day has done in the
hands of a master. Sermons of such intense conviction and directness of
purpose, combined with such originality and perfection on their purely
literary side, are rare everywhere. Remarkable instances, of course,
will occur to every one of the occasional exhibition of this
combination, but not in so sustained and varied and unfailing a way.
Between Dr. Newman and the great French school there is this
difference--that they are orators, and he is as far as anything can be
in a great preacher from an orator. Those who remember the tones and
the voice in which the sermons were heard at St. Mary's--we may refer
to Professor Shairp's striking account in his volume on Keble, and to a
recent article in the _Dublin Review_--can remember how utterly unlike
an orator in all outward ways was the speaker who so strangely moved
them. The notion of judging of Dr. Newman as an orator never crossed
their minds. And this puts a difference between him and a remarkable
person whose name has sometimes been joined with his--Mr. F. Robertson.
Mr. Robertson was a great preacher, but he was not a writer.
It is difficult to realise at present the effect produced originally by
these sermons. The first feeling was that of their difference in manner
from the customary sermon. People knew what an eloquent sermon was, or
a learned sermon, or a philosophical sermon, or a sermon full of
doctrine or pious unction. Chalmers and Edward Irving and Robert Hall
were familiar names; the University pulpit and some of the London
churches had produced examples of forcible argument and severe and
finished composition; and of course instances were abundant everywhere
of the good, sensible, commonplace discourse; of all that was heavy,
dull, and dry, and of all that was ignorant, wild, fanatical, and
irrational. But no one seemed to be able, or to be expected, unless he
avowedly took the buffoonery line which some of the Evangelical
preachers affected, to speak in the pulpit with the directness and
straightforward unconventionality with which men speak on the practical
business of life. With all the thought and vigour and many beauties
which were in the best sermons, there was always something forced,
formal, artificial about them; something akin to that mild pomp which
usually attended their delivery, with beadles in gowns ushering the
preacher to the carpeted pulpit steps, with velvet cushions, and with
the rustle an
|