st stopping for one more look at your Canterbury bells. I knew you
wouldn't mind, but you mustn't leave your--affairs,--not for an instant."

The word "affairs" was accompanied by a brief inspection of Austen Vane.

"That's all right," answered Mr. Crewe; "it doesn't cost anything to look
at flowers, that's what they're for. Cost something to put 'em in. I got
that little feller Ridley to lay 'em out--I believe I told you. He's just
beginning. Hello, Alice."

"I think he did it very well, Humphrey," said Miss Pomfret.

"Passably," said Mr. Crewe. "I told him what I wanted and drew a rough
sketch of the garden and the colour scheme."

"Then you did it, and not Mr. Ridley. I rather suspected it," said Mrs.
Pomfret; "you have such clear and practical ideas about things,
Humphrey."

"It's simple enough," said Mr. Crewe, deprecatingly, "after you've seen a
few hundred gardens and get the general underlying principle."

"It's very clever," Alice murmured.

"Not at all. A little application will do wonders. A certain definite
colour massed here, another definite colour there, and so forth."

Mr. Crewe spoke as though Alice's praise irritated him slightly. He waved
his hand to indicate the scheme in general, and glanced at Victoria on
the stone bench. From her (Austen thought) seemed to emanate a silent but
mirthful criticism, although she continued to gaze persistently down the
valley, apparently unaware of their voices. Mr. Crewe looked as if he
would have liked to reach her, but the two ladies filled the narrow path,
and Mrs. Pomfret put her fingers on his sleeve.

"Humphrey, you must explain it to us. I am so interested in gardens I'm
going to have one if Electrics increase their dividend."

Mr. Crewe began, with no great ardour, to descant on the theory of
planting, and Austen resolved to remain pocketed and ignored no longer.
He retraced his steps and made his way rapidly by another path towards
Victoria, who turned her head at his approach, and rose. He acknowledged
an inward agitation with the vision in his eye of the tall, white figure
against the pines, clad with the art which, in mysterious simplicity,
effaces itself.

"I was wondering," she said, as she gave him her hand, "how long it would
be before you spoke to me."

"You gave me no chance," said Austen, quickly.

"Do you deserve one?" she asked.

Before he could answer, Mr. Crewe's explanation of his theories had come
lamely to a halt. Austen was