n until I
knew you, until that day I went through the office and saw you what you
were. You don't understand, I tell you. I'm sorry for what I did to-day
because it offended you--but you drove me to it. Most of the time you
seem cold, you're like an iceberg, you make me think you hate me, and
then all of a sudden you'll be kind, as you were the other night, as you
seemed this afternoon--you make me think I've got a chance, and then,
when you came near me, when you touched my hand--why, I didn't know what
I was doing. I just had to have you. A man like me can't stand it."

"Then I'd better go away," she said. "I ought to have gone long ago."

"Why?" he cried. "Why? What's your reason? Why do you want to ruin my
life? You've--you've woven yourself into it--you're a part of it. I never
knew what it was to care for a woman before, I tell you. There's that
mill," he repeated, naively. "I've made it the best mill in the country,
I've got the biggest order that ever came to any mill--if you went away I
wouldn't care a continental about it. If you went away I wouldn't have
any ambition left. Because you're a part of it, don't you see? You--you
sort of stand for it now, in my mind. I'm not literary, I can't express
what I'd like to say, but sometimes I used to think of that mill as a
woman--and now you've come along--" Ditmar stopped, for lack of adequate
eloquence.

She smiled in the darkness at his boyish fervour,--one of the aspects of
the successful Ditmar, the Ditmar of great affairs, that appealed to her
most strongly. She was softened, touched; she felt, too, a responsive
thrill to such a desire as his. Yet she did not reply. She could not. She
was learning that emotion is never simple. And some inhibition, the
identity of which was temporarily obscured still persisted, pervading her
consciousness....

They were crossing the bridge at Stanley Street, now deserted, and by
common consent they paused in the middle of it, leaning on the rail. The
hideous chocolate factory on the point was concealed by the night,--only
the lights were there, trembling on the surface of the river. Against the
flushed sky above the city were silhouetted the high chimneys of the
power plant. Ditmar's shoulder touched hers. He was still pleading, but
she seemed rather to be listening to the symphony of the unseen waters
falling over the dam. His words were like that, suggestive of a torrent
into which she longed to fling herself, yet refrained,