y to snatch them away again. Hannah's pessimism would
persist as far as the altar, and beyond!

On the whole, such was Janet's notion of the Deity, though deep within
her there may have existed a hope that he might be outwitted; that, by
dint of energy and brains, the fair things of life might be obtained
despite a malicious opposition. And she loved Ditmar. This must be love
she felt, this impatience to see him again, this desire to be with him,
this agitation possessing her so utterly that all day long she had dwelt
in an unwonted state like a somnambulism: it must be love, though not
resembling in the least the generally accepted, virginal ideal. She saw
him as he was, crude, powerful, relentless in his desire; his very faults
appealed. His passion had overcome his prudence, he had not intended to
propose, but any shame she felt on this score was put to flight by a
fierce exultation over the fact that she had brought him to her feet,
that he wanted her enough to marry her. It was wonderful to be wanted
like that! But she could not achieve the mental picture of herself as
Ditmar's wife--especially when, later in the evening, she walked up
Warren Street and stood gazing at his house from the opposite pavement.
She simply could not imagine herself living in that house as its
mistress. Notwithstanding the testimony of the movies, such a
Cinderella-like transition was not within the realm of probable facts;
things just didn't happen that way.

She recalled the awed exclamation of Eda when they had walked together
along Warren Street on that evening in summer: "How would you like to
live there!"--and hot with sudden embarrassment and resentment she had
dragged her friend onward, to the corner. In spite of its size, of the
spaciousness of existence it suggested, the house had not appealed to her
then. Janet did not herself realize or estimate the innate if undeveloped
sense of form she possessed, the artist-instinct that made her breathless
on first beholding Silliston Common. And then the vision of Silliston had
still been bright; but now the light of a slender moon was as a gossamer
silver veil through which she beheld the house, as in a stage setting,
softening and obscuring its lines, lending it qualities of dignity and
glamour that made it seem remote, unreal, unattainable. And she felt a
sudden, overwhelming longing, as though her breast would burst....

Through the drawn blinds the lights in the second storey gleame