ruck out: the hinting at
an obligation, the consciousness of it on the part of the testator,
will make him determined to avoid the formal acknowledgment of it at any
expense. The disinheriting of relations is mostly for venial offences,
not for base actions: we punish out of pique, to revenge some case in
which we been disappointed of our wills, some act of disobedience
to what had no reasonable ground to go upon; and we are obstinate in
adhering to our resolution, as it was sudden and rash, and doubly bent
on asserting our authority in what we have least right to interfere in.
It is the wound inflicted upon our self-love, not the stain upon
the character of the thoughtless offender, that calls for condign
punishment. Crimes, vices may go unchecked or unnoticed; but it is the
laughing at our weaknesses, or thwarting our humours, that is never
to be forgotten. It is not the errors of others, but our own
miscalculations, on which we wreak our lasting vengeance. It is
ourselves that we cannot forgive. In the will of Nicholas Gimcrack the
virtuoso, recorded in the _Tatler,_ we learn, among other items, that
his eldest son is cut off with a single cockleshell for his undutiful
behaviour in laughing at his little sister whom his father kept
preserved in spirits of wine. Another of his relations has a collection
of grasshoppers bequeathed him, as in the testator's opinion an adequate
reward and acknowledgment due to his merit. The whole will of the said
Nicholas Gimcrack, Esq., is a curious document and exact picture of
the mind of the worthy virtuoso defunct, where his various follies,
littlenesses, and quaint humours are set forth as orderly and distinct
as his butterflies' wings and cockle-shells and skeletons of fleas in
glass cases.(3) We often successfully try, in this way, to give the
finishing stroke to our pictures, hang up our weaknesses in perpetuity,
and embalm our mistakes in the memories of others.
Even from the tomb the voice of nature cries,
Even in our ashes live their wonted fires.
I shall not speak here of unwarrantable commands imposed upon survivors,
by which they were to carry into effect the sullen and revengeful
purposes of unprincipled men, after they had breathed their last; but we
meet with continual examples of the desire to keep up the farce (if not
the tragedy) of life after we, the performers in it, have quitted the
stage, and to have our parts rehearsed by proxy. We thus make a caprice
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