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lin, form the trimming of the under-sleeve. [Illustration.] FIGURE 3.--EVENING DRESS. EVENING DRESS.--Head-dress of hair only, with a diamond comb. The hair is parted down the middle, and drawn back square from the forehead on each side. One large plat of hair is laid round the top of the head. The back hair is done up in plats and torsades twisted together. The comb is put in straight, and stands rather high. A cashmere _Orientale_. This short garment is cut straight and not hollowed at the waist; it reaches several inches below the hips; the sides are slit up; the sleeves are wide at bottom and open in front. A band of gold lace, about an inch wide, is laid flat all round, about half an inch from the edge, and the same on the sleeves. Two buttons of silk and gold each fasten a small cord ending in a handsome tassel, surmounted by small bows of silk and gold of various sizes. This cord is tied in front. The openings of the sleeves and sides are trimmed in the same manner. The lining is white satin. Dress of white lutestring. Body low and square, trimmed with several rows of white blond. The top of the skirt is plain for a depth of six or seven inches, and all the lower part is trimmed with vandyked blond flounces. The flounces are very light. FULL-DRESS FOR HOME.--The cap is a Louis XV. _fanchon_ of _Alencon_ lace. There are two tufts of various flowers on each side; they lie on the bands of hair which are waved and thrown back. [Illustration.] FIGURE 4.--FULL-DRESS FOR HOME. Waistcoat of black watered silk; festooned edges, high behind, open in front. A row of _Alencon_ lace sewed on flat projects beyond the edge all round the waistcoat. _Basquine_ of terry velvet, trimmed with a broad satin ribbon and plaid velvet of bright colors. The sleeve, wide at bottom, is open behind and trimmed the same. The trimming is drawn in very fine gathers in the middle; the quilled edges are loose. The skirt of terry velvet like that of the basquine, is trimmed with five flounces lying one on the other. On these flounces are sewed satin ribbons and plaid velvet bands, the top one No. 12, the two others, No. 16, the bottom one No. 22. These ribbons are sewed flat on the flounce, which is not gathered in that part; the gathers of the flounces are preserved between the flat parts. The interval between the ribbons
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