y serve to impress the hearer with the
profundity and seriousness of the preacher's message, or to arrest and
bring back to the point of contact the wandering minds of a
congregation.

To acquire emotional power and dramatic action the preacher should
study the great dramatists. He should read them aloud with appropriate
voice and movement. He should study children, and men, and nature. He
should, perhaps, see the best actors, not to copy them, but in order
that they may stimulate his taste and imagination.

CONVERSATION AND PUBLIC SPEAKING

The ideal style of public speaking is, with very little modification,
the ideal of good conversation. The practical age in which we live
demands a colloquial rather than an oratorical style of public speaking.
A man who has something to say in conversation usually has little
difficulty in saying it. If he presents the facts he will speak
convincingly; if he is deeply in earnest he will speak persuasively; and
if he be an educated man his speech will have the unmistakable marks of
culture and refinement.

In the conversation of well-bred children we find the most interesting
and helpful illustrations of unaffected speech. The exquisite modulation
of the voice, the unstudied correctness of emphasis, and the sincerity
and depth of feeling might well serve as a model for older speakers.

This study of conversation, both our own and that of others, offers
daily opportunity for improvement in accuracy and fluency of speech, of
fitting words to the mouth as well as to the thought, and of forming
habits that will unconsciously disclose themselves in the larger work of
public speaking. Care in conversation will guard the public speaker from
inflated and unnatural tones, and restrain him from transgressing the
laws of nature even in those parts of his speech demanding lofty and
intensified treatment.

Some easily remembered suggestions regarding conversation are these:

1. Pronounce your words distinctly and accurately, like "newly made
coins" from the mint, but without pedantry.

2. Upon no occasion allow yourself to indulge in careless or incorrect
speech.

3. Open the mouth well in conversation. Much indistinct speech is due to
speaking through half-closed teeth.

4. Closely observe your conversation and that of others, to detect
faults and to improve your speaking-style.

5. Vary your voice to suit the variety of your thought. A well-modulated
voice demands appropria