a harsh, rigid, vehement manner will as easily
repel them.
It is to be feared that many sermons are written with too much regard
for "literary deportment on paper," and too little thought of their
value as pulsating messages to men.
The preacher should train himself to take tight hold of his thought, to
grip it with mental firmness and fervor, that he may afterward convey it
to others with definiteness and vigor. Thoughts vaguely conceived and
held tremblingly in the mind will manifest a like character when
uttered. Into the writing of the sermon put vitality and intensity, and
these qualities will find their natural place in delivery. Thrill of the
pen should precede thrill of the voice. The habit of Dickens of acting
out the characters he was depicting on paper could be copied to
advantage by the preacher, and frequently during the writing of his
sermon he might stand and utter his thoughts aloud to test their power
and effectiveness upon an imaginary congregation.
There should be the most thorough cultivation of the inner sources of
the preacher, whereby the spiritual and emotional forces are so aroused
and brought under control as to respond promptly and accurately to all
the speaker's requirements. There should be assiduous training of the
speaking voice as the instrument of expression and the natural outlet
for thought and feeling. In the combined cultivation of these two
essentials of expression--spirit and voice--the minister will find the
true secret of effective pulpit preaching.
CARE OF THE SPEAKER'S THROAT
The throat as a vital part of the public speaker's work in speaking is
worthy of the greatest care and consideration. It is surprising that so
little attention is given to vocal hygiene, when it is remembered that a
serious weakness or affection of the throat may disqualify a speaker for
important work. The delicate and intricate machinery of the vocal
apparatus renders it peculiarly susceptible to misuse or exposure. The
common defects of nasality, throatiness, and harshness, are due to wrong
and careless use of the speaking-instrument.
In the training of the public speaker the first step is to bring the
breathing apparatus under proper control. That is to say, the speaker
must accustom himself, through careful practise, to use the abdominal
method of breathing, and to keep his throat free from the strain to
which it is commonly subjected. This form of breathing is not difficult
to a
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